(My original post announcing the winner of Jo’s book went missing, so here it is again).
“This was a tough choice! Damion mentioned Samus Aran’s powersuit, which I loved. And I felt Brendan really got what the suit itself is all about. But I have to go with Scott’s answer, because the Transmogrifier from Calvin and Hobbs really is the coolest machine ever. And I want to see it deployed in an ultimate battle against an ultimate bad guy.”
So Scott contact Jo: joanne(at)joanneanderton.com
Following on from the success of her debut novel, Debris, Jo Anderton‘s new book Suited has been released into the wilds. She’s dropped by today to talk about ‘the suit’ which inspired the book.
The first time Tanyana saw a debris collecting suit, she mistook it for jewellery. It was, after all, a thick silver bracelet, intricately inscribed with arcane symbols and glowing faintly. That was before one was forcefully drilled into her body, of course. Before she learned that there was much more to it than the bright silver bands — attached to her ankles, wrists, waist and neck — and that it went deep beneath her skin, bound to her nervous system and anchored in her bones.
This debris collecting suit was the catalyst for everything that happened to Tanyana in Debris. And, as you might have guessed from the title and the cover image, it becomes even more important in book two, Suited.
So what is the suit? And what inspired it?
Tanyana’s world is full of pions — semi-sentient sub atomic particles that can be persuaded to rearrange matter. The better you are at directing them, the more powerful you can become. Before the accident that stripped Tanyana of her powers in the beginning of Debris, she was a highly skilled binder and architect, able to command vast numbers of pions. Everything in her world is built with these particles, from something as mundane as a sewerage system, to the might of the military machine. But all this power comes at a cost. Pion manipulation generates a waste product — debris. The more you manipulate, the more debris you create. And debris can be a serious problem, because it destabilises pion systems and can, if left unchecked, completely undo their bonds. For a city built on pions, debris is a real threat.
This is where the debris collectors come in. You see, most people in this world can see and manipulate pions, but they wouldn’t know debris was there if it was floating right in front of their noses (as it tends to do…) Only people who have lost their pion-sight, or were never born with it, can see debris. They are recruited by the government, fitted with suits, and sent out to collect it. Buried within the suits’ six bands is a strong but malleable metal that can expand, and morph into any shape. From delicate tweezers to great shovels or, should the need arise, a sharpened blade.
But Tanyana’s suit is different. From the start, it’s more than just a tool. It has a tendency to move on its own, protecting Tanyana, or reacting even before she has thought to do so. Not only can she use it to shape tools or weapons, but Tanyana’s suit can also spread far enough to wrap around her body, head to toe. In fact, it seems to prefer that. Sometimes it feels almost sentient. It tugs at her bones and thrills down her nerves and whispers to her, inside her. Wouldn’t it be easier to do what it says, and just give in to it’s… violence?
There are times when it’s hard to tell who’s in control: Tanyana, or her suit. And this struggle is what Suited is all about.
So what inspired it? There are a lot of anime influences in these books, and the suit is probably the strongest example. Let’s see… It’s a powerful metallic creature with a mind of its own. It tends to save Tanyana and scare her in equal measure, and its origins are shrouded in secrecy and possible-dodgyness. Well, that’s Neon Genesis Evangelion right there. But don’t worry, the suit isn’t Tanyana’s mother, I can promise you that! Also, this story has absolutely nothing to do with the Dead Sea Scrolls.
What about Full Metal Alchemist? Have you guys seen that? If you have, think about Edward’s metallic arm for a minute. The way he uses his alchemy to morph it into any shape, often a sword. Now that’s exactly what Tanyana’s doing with her suit — except she’s using neural connections and muscle memory, not alchemy. If you haven’t seen FMA — do so, now. New series, old series, I don’t care (I liked the old one. Yes, even the ending).
But, you know, I think there’s more to the suit than just anime. Not that there’s anything wrong with that — seriously, I’m the last person to demand deep and meaningful. Give me a good story first and foremost, the rest is just in the telling. Anyway (sorry, getting sidetracked) the suit is also the darkness inside us. It’s a rebellious body, a part that can’t be controlled, something foreign taking you over. It’s an inner violence begging to be let out, growing harder and harder to deny. And this, really, is the point of Suited. The suit, initially forced on Tanyana, is now well and truly a part of her. Through the course of Debris, she learned to control it, she found its limits and its strengths and pushed them as far as they would go. In Suited, the suit starts to push back. But, as I said, it’s a part of her now, inside and out, physically and mentally, and growing more so every day. How can Tanyana fight herself? Where’s the line between Tanyana and suit, and how long will that remain? Is it still her body, if the suit controls more and more of her? How important are our bodies to our sense of identity, and how much do we change when they do?
And hey, guess what, that’s very anime too. Couldn’t you say the same things about Evangelion, Full Metal Alchemist, Ghost in the Shell, and so many more? Maybe that’s because it’s a fundamental human conflict, made physical through the suit, or the Eva, or alchemy? And that’s why we love sci-fi, isn’t it? Because that’s what science fiction is for.
Jo has a copy of Suited to give-away. Here’s the question:
Pretend you’re at the end-game, it’s the ultimate fight with the ultimate big-bad, what would you take with you? From any book, game, movie or tv series. Do you like an old-school magical sword, or would you prefer a giant mecha? Lightsaber, or a summon? What’s the coolest weapon ever?
Jo says:
“Oh this is a difficult choice! Melissa’s answer, The Powers that Be was a real “oh I hadn’t thought of them” moment for me. I like Father from FMA too, as suggested by Lexie. But the winner has to be Tyler with Kuja from FFIX. Kuja has everything I love in an ultimate baddie, in particular a tortured past that has led him to decide that destroying the world is the best answer to all his problems.”
Tyler, contact Jo to organise the posting of your book!
anderton(dot)joanne(Aat)gmail(dot)com
Filed under Australian Writers, Book Giveaway, Dark Urban Fantasy, Steampunk
As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the talented debut novelist Jo Anderton to drop by.
Watch out for the give-away question at the end of the interview.
Q: You entered the 2008 Orbit/QWC Manuscript Development competition and your book was among the 10 selected for further development. This must have been a wonderful opportunity. Can you tell us a little about the experience?
The Orbit/QWC Manuscript Development program was absolutely amazing. The opportunity to meet a publisher from Orbit and get face-to-face feedback on my book was invaluable. We also got to spend a week in beautiful sunny Queensland, doing nothing but working on those novels, under the mentorship of the generous and wise Marianne de Pierres. The ten other writers were a great bunch, and we’ve kept in touch since. They’re like a support group and a cheering squad all in one! We even gave ourselves a name, we are the Orbiteers!
Even though I had the flu at the time and couldn’t quite make it to all the activities (sadly I did some lying in bed feeling sorry for myself while my fellow Orbiteers were learning and networking and being generally fabulous) it was still a defining experience for me. The book I took to the program didn’t end up selling, but the experience I gained, the things I learned and the people I met truly helped Debris get to where it is today.
Q: You have since gone on to sell this book, Debris, plus the sequel, Suited, to Angry Robot. Congratulations! Editor Marc Gascione says: ‘With the ever-increasing popularity of Japanese and Korean anime, manga and computer games, it’s been surprising that there hasn’t been more SF and fantasy showing its influence. Debris’s mix of SF and fantasy themes, exotic future-medieval settings, Dune-esque warring factions, and a fabulous kick-ass heroine is exactly the sort of on-trend science fiction Angry Robot was set up to publish. We’re damned pleased to have Jo on board.’ Are you a manga fan? Did you realise you were writing cutting edge SF?
Thank you! It’s still very exciting! And sometimes I find it hard to believe it’s real.
I’m a big fan of manga and anime, as well as video games. All three are definitely influences on Debris. Manga like Fullmetal Alchemist, anime like Planets, and pretty much every Japanese RPG I’ve ever played! I particularly love the mix of magic and technology in games like the Final Fantasy series.
I certainly didn’t set out to write cutting edge anything. I mean, I wanted to write something that felt different, but fun was always more important than different! I also wanted to play with that combination of magic and technology, and create a world where the lines between them are blurred.
Q: Your debut novel Debris is described as ‘far future, where science is indistinguishable from magic’ and also as your ‘own unique vision of steampunk’. (For sample chapters see here). Have you finished the second book and, if so, what project are you working on next?
It’s been really interesting seeing how other people describe the world in Debris. While it’s definitely got some steampunk elements, it’s also kind of futuristic and a little dystopian. As I was writing it I was quite firmly convinced it was fantasy, just a different kind of fantasy. I guess I’m seeing now that it’s a little bit of everything.
Yes indeed, the second book is finished. At the moment I’m working on something completely different! I call it a ‘post-apocalyptic romantic comedy, set in Sydney of the not too distant future, with ghosts’. It’s a world of fun!
Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?
In the way they write? Not that I’ve noticed. A lot of blokes have influenced my addiction to genre. My Dad read Tolkien to me, I loved his old E.E. Doc Smith and Theodore Sturgeon, and I’ll never forget the day I found my first David Eddings book in the local library. But so did Julian May, and Marion Zimmer Bradley, and Katharine Kerr, and then Sara Douglass and Jennifer Fallon, and more! I’m still finding new addictions.
As I type this I’m trying to think what the differences might be? I wouldn’t say one is more bloodthirsty than the other. I don’t think one gender does more romance, or better romance. Or more politics, or better politics. Isn’t it interesting that those are the first ‘differences’ that occurred to me? Bloodthirstyness, romance, and politics.
But is there a difference in the way their books are marketed? And discussed? And awarded? I reckon that’s where the important differences lie.
It's a thrill the first time you see your book out there in the real world sitting on a bookshop shelf.
Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?
Ah no. I’d say my expectations are based more on the blurb on the back, the publisher (yes, I actually notice publishers and imprints! But that could be due to my day job), the endorsement quotes, recommendations from friends, stuff I’ve read on the internet… Cover image (I’m a sucker for a good cover, I can’t help it). The usual!
Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?
Into the future, definitely. I’d like it to be a Gene Roddenberry type future, with space travel, and exploration. I’m not so sure it would be. But I want to know how future generations will look back on us, what we did, what we could have done, and the kind of planet we bequeathed them.
Give-away Question:
One of the things I love about those Japanese RPGs is there’s always a bigger baddie. The evil-doers you think are the baddies aren’t the real deal, there’s always an ultimate enemy you don’t know about, usually hiding in plain sight. So, for the giveaway prize, who is your favourite ultimate baddie?
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