Tag Archives: Fantasy Trilogy

Meet Kate Forsyth …

As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the talented and always engaging Kate Forsyth to drop by.

Watch out for the give-away at the end of the interview.

Q: Kate, tell us a little about your new book?

The Starkin Crown is a fantasy adventure for readers aged 12 and above, which tells the story of Prince Peregrine, a boy who must overcome treachery, heartache and his own secret weakness in order to find the lost spear of the Storm King.

With the blood of wildkin, hearthkin and starkin in his veins, Peregrine is heir to both the Erlqueen of Stormlinn and the starkin throne – except that the starkin crown was seized before his birth by his grandfather’s cruel cousin Vernisha. An ancient prophecy says that Peregrine will be the one who will at last break the starkin’s ruthless reign and bring peace to the land, but his parents fear the prophecies and try to keep him safe.

The arrival of a starkin girl with an urgent warning of an impending attack sees Peregrine and his faithful squire Jack flee Stormlinn Castle. Guided by a mysterious white owl, and with enemies on all sides, Peregrine soon realises that there is a traitor in their party … and that he must learn to trust his own heart.

Q: Your first series was The Witches of Eileanan, which took its inspiration from the Scottish witch trials of the 16th century. There are six books in the series. You must feel like the world and characters are old friends. Are you tempted to revisit it with a new series?

I get emails every week begging me to write more books set in Eileanan, and I always reply, “Maybe one day”. With the six books of ‘The Witches of Eileanan’ and the three books in the ‘Rhiannon’s Ride’ series, the books set in Eileanan took me ten years to write and constitute more than a million words. I loved writing them and I’m glad so many people have enjoyed them, but I had so many other ideas I wanted to bring to life!

Q: There is also Rhiannon’s Ride Series, with a ‘fierce satyricorn’ heroine. It looks like it could be YA cross-over. What age group was this written for?

‘Rhiannon’s Ride’ is a series of three books set in the world of Eileanan sixteen years after the end of the last book in ‘The Witches of Eileanan’. I always say the Eileanan books can be read by anyone sixteen years and older – there’s lots of battle scenes, cruel betrayals, traitors, necromancy, torture, love, despair, and ultimate triumph – not reading for the faint of heart!

[youtube=http://www.youtube.com/watch?v=1DfrYkFMl7g&feature=player_embedded]

Q: The Chronicles of Estelliana (The Starthorn tree, The Wildkin Curse and The Starkin Crown is for ages 12 and up). I see there is a girl heroine again. Is this a theme you like to explore?

Actually, in the three books set in Estelliana I always have two boys and two girls around 15 years of age, and the primary protagonist is always a boy. This is because I wrote these books for my eldest son, Ben, who loves fantasy fiction. The books are read by both boys and girls – I try and have all four of my heroes being vivid, interesting, and fully realised characters with their own strengths and weakness, and their own lessons to be learnt.

Q: I remember you were so excited when your children’s series The Chain of Charms won the Aurealis Award for its section in 2007. That must have been a real buzz. This series is set in the time of Oliver Cromwell. Did you have to do a lot of research?

It was wonderful! There are six books in ‘The Chain of Charms’ series, and five of them came out in 2007 so I was thrilled to have all five of them short-listed that year. You can imagine my excitement when all five of them ended up winning! It’s the first time that’s ever happened. And, yes, I had to do a great deal of research but then I do with every book I write. With the ‘Chain of Charms’ series, I read every book I could find on Oliver Cromwell and King Charles II, the English Civil War, life in the 17th century, and the language and culture of the Romanichal, or the English Gypsies. I also took my three children to England for a month, travelling in the footsteps of my two Gypsy children in their wild adventures in Kent, Surrey and Sussex. I even began to dress like a Gypsy, and Gypsy Stew became a favourite meal of our family.

Q: The Puzzle Ring was written for ages 10 and up. In this one you have a time travelling heroine who goes back to 16 century Scotland. Are you a big fan of Scottish history?

I was brought up on family stories about Scotland – my grandmother’s grandmother was Scottish on both my mother and my father’s side which meant as a child I heard many an old tale of bloody battles, murdered queens, fugitive princes, ancient curses, loch monsters, and one-eyed giants. I’ve always been interested in Scottish history and mythology as a result, and read a lot of books set in Scotland growing up. So when I was thinking about where to set ‘The Puzzle Ring’ –it seemed very right and natural that it should be set in Scotland and that I should draw upon some of the stories my grandmother and great-aunts told me.

Q: Ben and Tim’s Magical Misadventures series looks like it is meant for a younger reader again. And then there is a picture book titled I Am. Your books range from picture books, through the different primary age groups, through Young Adult to the grown up books?

Do you have to get into a certain mindset to write for a certain age group?

I always say that you can read my books from birth to death! Basically, ‘I Am’ and the three Magical Misadventures were written for my own children’s reading pleasure and I was thrilled when they were published and other children loved them too. I never have any problem writing for different age groups – I always know exactly who my audience is before I even write a word. I ‘see’ the whole narrative shape in my mind’s eye, and know who I want to read it.

Q: You originally worked as a journalist. (See here for a series of articles on Kate’s web site).Did you enjoy this and was it a big leap to writing fantasy?

I always wanted to be a novelist – working as a journalist was a way to pay the bills until I was ‘discovered’. I still write half a dozen articles a year for various publications, for no other reason than my own pleasure. I love to write in many different shapes and forms –it’s challenging to conquer the different styles, and I feel small projects like poetry, articles, picture books, and early readers are a way of refreshing my mind in between the big, long, complex novels I usually write.

 Q: My youngest son had a severe speech impediment. He didn’t have a recognisable (to others) word when he started school. I worked long and hard with him to help him overcome it. I believe you had a speech impediment as a child. Did you find the frustration of not being able to communicate your ideas shaped the person you are?

I had a severe stutter as a child, which meant many hours of speech therapy. My mother worked incredibly hard with me, just like you did with your son, to help me conquer my stutter. One of the things I was encouraged to do was read poetry and Shakespeare aloud, and I truly believe this had a profound effect on me, giving me a deep love of language and rhythm and rhyme. It also meant that I retreated into books, and read voraciously as a child, because I struggled to express myself at school and in unfamiliar situations. I still stutter when I’m tired or nervous or excited, but in general I think I’m quite fiercely articulate now and proud that I was able to overcome the great obstacle that was my stutter. (Read Kate’s article on stuttering).

Q: Tell us a little about the book you are working one now. Set in the time of Louis the 14th, involving a French noble woman, a young girl shut up in a tower, and a Venetian Courtesan, it sounds wonderful.

Thank you! I must admit it has been wonderful to write. Called ‘Bitter Greens’, it is a historical novel for adults which interweaves a retelling of the Rapunzel fairytale with the life of one of its first tellers, the scandalous 17th century French writer, Charlotte-Rose de Caumont de la Force. Charlotte-Rose shocked the court of the Sun King with her love affairs and her dabbling in witchcraft, and so was banished to a convent in the country. In those days, enclosure was very strict and so Charlotte-Rose would not have stepped outside the high, stone wall of the convent or seen anyone apart from the nuns and their lay-sisters. She wrote the fairy tale ‘Persinette’ while imprisoned, which was later renamed ‘Rapunzel’ and bowdlerised by the Grimm brothers. Her life story was a gift for a novelist – I could not have made up a better story! The novel is told in three strands – Charlotte-Rose’s life in Paris and Versailles during the 17th century, the tale of the maiden in the tower, and then the story of the witch, who I have imagined as a 16th century Venetian courtesan who was Titian’s muse. I’m just back from a month in Europe, going to all the places described in my book – Paris, Versailles, Bordeaux, Venice and the Italian lakes!

Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?

Certainly there’s a widely expressed view that men write fantasy full of battles, assassinations, murder and torture, while women write fantasy full of flowers and frocks. Although there is some truth that women’s fantasy fiction is sometimes softer and more romantic, some of the toughest, bloodiest fantasy is written by women such as Fiona McIntosh and Robin Hobb. I certainly love a good love scene, but then I also think battle scenes have their place. I have both in my books!

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

No, not at all. I love fantasy fiction by both men and women. What I care about are the characters and the story and the quality of the writing, not the gender of the writer.

Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why? (16th Century Scotland? LOL)

16th century Scotland was a wild, dangerous place without hot running water! I think I’d be scared to go there. I’d need a big, strong Highlander with a big, sharp claymore to protect me! I would like to meet Mary, Queen of Scots, though, and I’d be very interested to know who really murdered her second husband! I have theories of my own, I’d like to know if I was right. I’d also really like to go to 16th century Venice at Carnivale time ….

Kate very kindly has offered a copy of The Starkin Crown as a give-away. Here’s the Give-away question:

What was your favourite fantasy book as a child?

 Kate on Facebook

 Follow Kate on Twitter:

http://twitter.com/#!/KateForsyth

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Filed under Australian Writers, Book trailers, Characterisation, Children's Books, Covers, creativity, Fantasy books, Female Fantasy Authors, Genre, Nourish the Writer, Promoting Friend's Books, The Writing Fraternity, Young Adult Books

King Rolen’s Kin spotted Sweden!

Kaia tells me there are around 3 spec fic shops in all of Sweden and she managed to snap this  at SFBOK. Thanks for the support guys!  (Kudos to all the specialist bookstores).

And thanks to the lovely Kaia for letting me know!

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Filed under Fantasy books, Female Fantasy Authors, Fun Stuff, Genre, Specialist Bookshops

Book Three Cover pretties!

This is the cover of book three of my new trilogy The Outcast Chronicles. With thanks for Clint Langley the artist and Solaris, the publisher.

I think Clint has outdone himself with the covers for this trilogy. He’s captured the feel of the series – richly beautiful, with loads of  intrigue and danger!

Now I really hope the books live up to these wonderful covers.

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Meet Jennifer Fallon …

As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the best selling, multi-talented and amazingly prolific Jennifer Fallon to drop by.

Watch out for the give-away question at the end of the interview.

Q: The Undivided is the first book of your new series, Rift Runners. Can you tell us a little about this series?

It’s set across alternate realities and involves psychically linked twins separated went there were toddlers. One world is similar to ours, the other is a world where magic permeates everything and the druids rule the world.

I am having an illegal amount of fun writing it.

Q: I see Voyager, Harper Collins are releasing your Second Sons series with new covers. This must be exciting. Did you have any say in the covers?

I had quite a bit of say, actually. I’m very pleased with the result.

Q: When I look at the volume of work you’ve produced in the fantasy genre, (as well as the Rift Runners and the Second Sons series, there is the Demon Child, the Tide Lords and the Hythrun Chronicles), I’m impressed by your productivity. Do you find yourself exploring similar themes in the different series, or do you explore completely new concepts?

I like to explore new themes with every series. Some lend themselves better than others to particular themes, so that sometimes influences the type of world I build.

Q: I remember when we were doing our Masters together you were saying that if someone is immortal, then they are immortal and they can’t die, otherwise they aren’t immortal. You had one character who was an Immortal Virgin, (her hymen kept growing back). LOL. Are you ever tempted to write satire?

To be fair, it was Valerie Parv who suggested that, and I thought it was an awesome complication so I ran with it. I’d love to write satire, but I fear I wouldn’t do it well enough to warrant it. There are much better satirists out there than me. I believe I am descended from an Irish satirist, however, who was executed in the 18th century for saying rude things about the English.

Q: I see your best selling fantasy books have been shortlisted for the Aurealis Awards, the David Gemmell Legends of Fantasy Award and the Romantic Times Best Fantasy award. That must have been a real buzz. Do you think these awards help bring your books to the attention of new readers?

Here’s my thing about awards – who won the World Fantasy Award last year? The Aurealis in 2005? I bet you can’t say.

Do I think they’re useful? Maybe. They are certainly a boost to the ego, but in my experience, getting your books in the shops in large displays by the door is more useful than an award, when it comes to expanding your reading base, unless winning the award makes the booksellers buy more of them, and put the large display bin out the front.

Q: You also write for Stargate. Does this mean you are a dedicated Stargate Fan? I’m sure people would be interested to hear how you started writing for Stargate and a little about the process.

To be fair, I co-wrote one tie-in novel. I’m not sure if I can claim the moniker “writes for Stargate”. I am a fan, which was why I was asked, and the process involved my co-author sending me the manuscript, me changing all the things I didn’t like, adding the snappy dialogue, and it going back and her changing the changes I made. I believe most of the snappy dialogue survived.

I was an interesting project, though and I have now written a Zorro story for Moonstone, too, which was fun. I do find tie-ins to be quite limiting, because you are playing in someone else’s sand pit and you can’t always build the sandcastles you’d like.

Q: In the last couple of years you’ve moved to New Zealand’s South Island and renovated the historic Reynox House, which you’ve established as a residential writers’ retreat. (Honestly, running away to write sounds heavenly to me).  Is this a dream you’ve always had, to run a writers’ retreat?

I’m not sure I’ve always had it, but certainly for the past few years I’ve wanted to do it. It has all come to a grinding halt at present because of the Christchurch earthquakes. The house sustained some damage in the first quake and the repair bills have been quoted as ranging from $375K to $3m. We are currently at the mercy of insurance assessors and quantity surveyors. Last I heard we were 65th on the insurance company’s priority list and it’s taking them months to settle each claim. Do the math…

 Q: I see you have also started a mentorship program. How do you get the time to do all this?

I limit the number of mentorees so that I don’t have more than I can handle at any one time. Right now, because I am working to a very tight deadline, I don’t have any. I should be picking up the program again in a couple of months.

Q: I was prompted to start this series of interviews because there is a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?

More swear words?

To be honest, I’m not sure. I think female writers tend to be a little more character driven, but there are great male character-driven fantasies out there too. I think it’s up to the individual writers. Remember, there’s a large number of people out there who don’t realise Robin Hobb is a woman, so I guess, in many cases, if the reader doesn’t know the gender of the writer, they can’t necessarily pick it, so I’d have to so no.

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

Not at all.

Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?


I’d go to the past, just before I was first published and change my name from Jennifer Fallon to John Fallon. Then all the boys out there who assume that all female fantasy writers write soppy romance fantasies would pick up my books and read them and I’d be much, much richer.

Jennifer will give-away a copy of her new book Undivided. Here’s the question: One of Jen’s series revovles around a number of immortals. How would you kill an immortal?

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Filed under Australian Writers, Book Giveaway, Covers, creativity, Fantasy books, Female Fantasy Authors, Genre, Movies & TV Shows, Publishing Industry, The Writing Fraternity

Winner of Juliet McKenna Give-away!

Juliet has promised a copy of ‘Irons in the Fire’ or ‘Dangerous Waters’. She says:

“There are some great ideas here and best of all, there are books new to me being suggested. So I’ve been off to do some googling and thinking and yes, to go round and round in circles because these are all excellent suggestions. But I have to make a decision and I’ve finally come down in favour of The Sterkarm Handshake. I would dearly love to see that on the telly and it would appeal to those people who don’t  normally think of reading epic fantasy – showing them just what they’re missing! !

So if Karla Vollkopf would like to email me at Juliet(dot)mckenna(at)gmail(dot)com, we can sort out which book she’d like. “

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Book Cover Pretties

As you may have noticed, I’ve spent my Saturday night revamping my web site and my blog. Ooooh we writer lead exciting lives!

And now it is time to reveal the cover of book one of my new series. A big thank you goes out to Solaris Press for engaging the wonderful Clint Langley to do the covers again. (Clint will be appearing here in an interview, when he finally gets around to answering my questions).

Here it is: Besieged, Book One of The Outcast Chronicles

No, you are not going crazy, this is the version with the corrected spelling!


UPDATE: And as the wonderful Tansy Rayner Roberts just pointed out, there is a typo in the title, which I didn’t see because I was looking at the design, coming from a graphic art background. Don’t worry, this will be fixed.

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Winner of Trudi Canavan’s give-away!

Trudi had a terrible time deciding the winner.  She said:

‘Ali A made an interesting point about social taboos overseas and later about the way male/female writers write, Denis’s points were good, Sarah and Margaret pointed out that Australia is ahead of the curve with gender roles …’

But in the end she had to go with Martin who said:

‘This is a really big question and I don’t think any one thing can explain it (it could be the basis of a dissertation if not a PhD).

As a UK reader I have noticed that a lot of the female writers on the shop shelves, and my bookshelves (all barr one actually), are
australian. Likewise, most of the male writers are from the US. I think another big question is why are there so few fantasy authors (of either gender) in the UK?

I’d say like some others above me, that the relaxed Aussie lifestyle is good for imagination muscles. As well as the stunning scenery. On a deeper level, while Australia still has an ample history, it is a relatively newborn country compared to many others. I’d hope that this would mean the sexist tendencies embedded in many societies run weaker in the Aussie environment.

Whatever the reasons, I’m very grateful for the many lovely stories coming from Oz and let’s hope there are many more to come (whether from female or male writers).’

Please email me, Martin.  rowena(at)corydaniells(dot)com

And thanks to everyone who commented. It was a great discussion!

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Bookmark luvlies!

I have permission from Solaris to use some of the artwork for the new trilogy on bookmarks.  I’ll be sending them off to the printer soon, so here they are, sides one and two.

King Rolen’s Kin and The Outcast Chronicles.

Now you can see why I’m so excited about the covers for The Outcast Chronicles. Clint Langley has outdone himself. Again!

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Meet Juliet McKenna …

As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the amazingly prolific and talented Juliet McKenna to drop by.

Watch out for the give-away question at the end of the interview.

Q: Wow, Juliet, looking at your list of published books takes my breath away. Tell me, do you sleep 3 hours a night?

Well, I have been doing this for a while now. My first novel, The Thief’s Gamble came out in January 1999, so I’ve written a book a year since then. I’m also lucky enough to write full time, as far as any wife and mother can do that. So I work from around 8.30 in the morning when my husband and teenage sons have left for work, college and school, until about 5 in the afternoon.

That’s writing the current book in progress along with doing fun things like this, blogging, reviewing, getting involved in conventions and other events and the much less exciting but equally necessary stuff like the accounts and other administrivia.

Q: You have five series out now with a 3 – 5 books in each series. There’s The Tales of Einarinn, The Aldabreshin Compass, The Lescari Revolution, and your news series, The Hadrumal Crisis. You have an invented world and where you have set stories in different places (and at different times?), with some characters crossing over into different series. Tell me, do you have a huge map on the wall with a flow chart of events and timelines for different families and kingdoms? How do you keep it all straight in your head?

I have a lovely big map. One of the smartest moves I ever made, in hindsight, was marrying a design engineer who trained as a draughtsman. He drew that map for me and it’s fantastic. I used to keep a card index with details of every character noted down but that got harder and harder to keep up to date at the same time as computers made searching for individual characters in the text of a book so much easier. So that’s how I keep track of the details now.

That said, preparing for this new series, I did have to go back and re-read my first nine books, making notes as I went, since I’m picking up a lot of threads from those earlier tales. I have always drawn up timelines for each book, with notes on what each character’s doing and where they are. I’m one of those writers who does a lot of planning ahead before I ever type ‘Chapter One’. Every book has its own working note book and so I can also refer back to those when whatever I’m currently writing draws on what’s happened before.

On the other hand, I work very hard to make sure that each series is a fresh start, so that readers don’t have to go all the way through my backlist for the new story to make sense. That does lighten the burden of what’s gone before for me as a writer. I only have to include essential back story, in the same way as any author creating rounded, realistic characters does with any book.

Q: Reading the information on your web site, your books come across as very down to earth stories about real people, set in a world where magic happens to be normal. Where … ‘there are developments in science and technology, philosophy and literature, quite independently of whatever it is that has wizards and princes running round in circles?’ Would describe yourself as a very grounded person, who just happens to have an imagination that won’t let her sleep?

Words that often come up when people are describing me are ‘practical’ and ‘organised’ and yes, I imagine ‘grounded’ is in there too. That said, I think what I’ve always read and enjoyed has more influence on what I write than my personal character. I’ve always loved books that feel ‘real’ and I’ve always read right across the speculative genre and on into folklore and myth and then onwards into history.

They’re all colours in the same spectrum as far as I am concerned, and how can anyone read this wonderful stuff without their own imagination catching light? I’ve made up stories for as long as I can remember. I was one of those kids who could spend a whole afternoon spinning some fantastic yarn with a couple of toy animals, some building bricks and a cardboard box.

As to the depth and breadth of the worlds I create now, knowing so much history, I really cannot be doing with fantasy worlds where nothing changes in a thousand years (unless that’s part of the point the writer is making). I think how much change my grandmother saw in her 95 years!

Q: In an interview on SFFWorld, you mention that you do aikido. (This is one of the martial arts I studied for 5 years. I found it helped me when writing fight scenes). Do you do other martial arts and did you find that they help you give verisimilitude to your fight scenes?

I have nearly thirty years of aikido under my (black) belt now, including sword and staff fighting techniques, and yes, that’s a fantastic help when I’m writing fight scenes. I don’t do any other martial arts but I do swap notes with those studying other disciplines. Shotokan Karate blackbelt and author John Meaney and I did a hands-on panel on fight scenes at a recent convention and that was a fascinating exercise in compare and contrast.

I also did some Live Action Role Playing as a student and that’s also very useful. Table top gaming just isn’t the same. Get out in some woods at night for real and you really won’t have a clue what cunning plan the wizard ten feet behind you is hatching when all you’re looking at is the orc who’s trying to cut your head off!

That said, as an author, I have to be aware of readers’ expectations, particularly the way those have been shaped by what they see on film and TV, where fights are long, drawn-out, full of ups and downs, will our hero win or won’t he? Whereas real fights, when at least one person knows what they’re doing, tend to be very short and to the point. Also, when you’re watching a fight, it’s clear who’s doing what. Describing a fight so the reader can visualize it can be tricky. So, as with any other aspect of writing, crafting a fight scene that’s both realistic and rewarding for the reader is a challenge. But hey, if it was easy, it wouldn’t be nearly so much fun.

Q: You are one of the founding members of The Write Fantastic , (TWF), an organisation established in 2004 to promote the fantasy genre. On your TWF site, you say: ‘Nowadays  … Bestsellers thrive, while writers seen as ‘mid-list’, and those in genre fiction, suffer. Browsing used to be the route by which such authors picked up new readers. But now people popping into a bookshop ‘for something to read’ get no further than the 3 for 2 deals. So authors face a choice between grousing into their beer or looking for alternate ways to contact potential readers and bring them in past the discount tables and the bestseller charts.’ Do you think TWF has helped fantasy writers connect with new readers?

Definitely. The feedback we get tells us that time and again. The publishing world, from that first idea in your head to the finished book on the shelf in the shop, has changed enormously in the past ten years. What hasn’t changed, and what never seems to change though, is what really sells books is word of mouth recommendation.

Readers are always eager to hear about new books and these days, there are so many books that it can be a challenge to keep up to date with the new voices, never mind hearing about other people’s established favourites which you might not have tried. Hearing writers talk, about what they’re writing and what they’re reading is always a good way to find out if something’s likely to be on your particular wavelength.

Q: I see that TWF has successfully applied for grants. I’m thinking that is what my ROR group should do. One of the things that holds us back here in Australia is that the literary festivals expect to be contacted by the publishers who want to promote their authors. If an author contacts a literary festival, more often than not, they ignore the author. I’m guessing you haven’t had this problem in the UK?

Well, we have had success in the past… That kind of grant money dried up a few years ago. Then last year, as soon as the current government was elected here in the UK, the library funding for author visits was drastically cut back, so we lost a lot of those events. This year, so far, I’m hearing of literary festivals being cancelled or put on hiatus, so we’re looking at alternatives for TWF gigs, not least running a day event or two ourselves.

Literary festivals vary enormously. The really big ones, sponsored by our national newspapers, certainly aren’t much interested in dealing with anyone outside the best-seller lists, whose publisher will be paying to promote them, and where the author is expected to turn up and do their thing and be grateful for ‘the prestige’. It’s actually the smaller, more local events that are open to approaches from groups like TWF and will often work harder to pay writers for their time.

Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?

This idea that fantasy is for men, written by men, does persist and it baffles me for several reasons. I mean, don’t people look at the shelves? There are so many women writing superb fantasy these days, in the UK, the US and elsewhere. Perhaps it’s another knock-on effect of those front-of-store promotions. The mega-sellers of late have been written by men and so they have much greater visibility, certainly for people who don’t know much about our genre. I’m not sure what we women can do beyond write the best books we can and hope they reach that readership tipping point to get us to the front of the bookstore. But of course, we are already writing the best books we can…

Do we write differently to the men? That’s hard to say. I’m sure for any generalisation that I might make, someone will be able to point to a book where that simply doesn’t apply. For instance if I said, women writers focus more on the emotional responses of female characters with a higher profile overall within the story. Or if I said, male writers get far more down and dirty with the vicious and brutal.

I really do think it’s a problem of perception rather than reality and we all need to challenge it if it’s ever going to change.

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

No, it really doesn’t. What grabs me is the back cover copy and then the first page. It’s all about the story and the characters for me.

Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?

Ancient Rome, in the last days of the Republic. I studied this period at university and actually being there, seeing what really happened would be fantastic. Of course, I would need some kind of access all areas pass or Doctor Who’s psychic paper so I didn’t just end up wandering round the Forum. Though that would be pretty cool as well.

Or… a hundred years into the future, where I would want to spend a week just soaking up the atmosphere, the news media, the day to day life, to see how far we had come as humanity, and what hadn’t really changed, for better or for worse.

Find Juliet’s blog here.

For a video interview of Juliet McKenna see here.

Hear the Ghost in the Machine Podcast with Juliet McKenna.

Juliet on Facebook 

Juliet is happy to give away a copy of one of her books, depending on which one you need to fill the gap in your collection. Here’s the give-away question:

Every fantasy fan I know is waiting breathlessly for HBO’s adaptation of George RR Martin’s A Game of Thrones – even those who haven’t read the books. Which fantasy book/world would you like to see turned into a television series and why?

 

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Filed under Book Giveaway, creativity, Fantasy books, Female Fantasy Authors, Genre, Promoting Friend's Books, Story Arc, Writing craft

Meet Trudi Canavan …

As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the prolific and  talented Trudi Canavan to drop by.

Watch out for the give-away question at the end of the interview. (NOTE this competition is now closed. Thanks for all the entries!)


Q: Like me, you have a background as an illustrator. Do you miss illustrating?

I have to admit, I don’t miss being a freelance illustrator much at all! While it was a fun job to have and I like being self-employed, it didn’t pay very well. Painting and other forms of art are now a hobby again, and it’s much more creatively satisfying to be portraying what I want to portray, in whatever medium inspires me and with no deadlines.

Q: In 1999 your short story Whispers of the Mist Children won the Aurealis Award for Best fantasy Short Story. Are you still writing short stories, or do you find your stories keep growing until they become novels?

Yes, I do still write shorts, though not often. My second published short, “Room For Improvement”, won a Ditmar in 2004 and I’ve had stories published in Dreaming Again and Legends of Australian Fantasy, but that’s four stories over ten years so you can see I’m not all that prolific!

My story ideas come with a length already obvious to me right from the start. I know if there’s ‘enough’ story to fill a short, novella, novel or series. Sometimes there’s a piece of history or character background within a longer work that can be separated out and written in a shorter form, like a short story or novella – like ‘The Mad Apprentice’ novella in the Legends anthology, which is a piece of history from the Black Magician Trilogy world.

Recently I joined a local short story critique group with the aim of both ‘giving back’ to the sff community, polishing my writing and critiquing skills, and motivating myself to write more short stories. I’m hoping to write a few set in the universe of my next series and then, in a couple of years, include them with my old short stories to form an anthology.

Q: In 2001 the first book of your The Black Magician Trilogy series came out. The Magicians’ Guild, The Novice, and The High Lord went on to be best sellers. Was this a bit of a surprise? (A welcome surprise, LOL).

Well, of course! I don’t think any sane writer expects success. They hope for it, and delude themselves that it will happen in order to keep going when times are tough, but they never take it for granted that it’s going to happen.

My dream, which formed when I was about fourteen, was to write a fantasy novel. Having it find a publisher was not necessarily part of the dream, but by the time I’d written it I certainly wanted it to be to justify all the hard work. If I’d not found a publisher I’d have been disappointed, but at least I’d done what I’d set out to do. Everything else has been a bonus. A confidence-boosting bonus and one that’s financially sustainable, thankfully!

Q: Your second trilogy, Age of the Five has also been a best seller.

Yes, though it’s success is overshadowed by the Black Magician Trilogy and its prequel and sequel. Part of that is due to it being aimed at an older market. I decided to do so because I was a little worried I’d be typecast as a YA writer, which isn’t a bad thing for sales but I could see it might be for me as a writer in the long term. I don’t want to be restricted to only being able to publish to one kind of audience.

To make it a non-YA book, I simply had to make the main character older (she’s about 25) and add a few sex scenes. I considered whether upping the violence would make a difference, and realised it probably wouldn’t. You’d have to add very gratuitous violence to a book to make it unsuitable to young people these days!

Q: Then, in 2007, you signed a ‘seven-figure deal’ with Orbit to write the prequel and sequel to The Black Magician Trilogy. Does this mean that you are one of the mythical writers who doesn’t have to hold down another job to make ends meet while you write? Has this given you freedom and confidence to concentrate on your writing?

The answer to that is yes, but naturally it’s more complicated than that. I started writing as my only source of income before it paid well enough, because I had no choice.

You see, I started my illustration business so I could afford to write part time. A few years after my first publishing contracts I developed chronic fatigue. It wasn’t as debilitating as most cases, but I had to save all my energy for writing, and let the illustration business go. Those early advances didn’t come close to a full time wage and I survived, financially, by been very, very, very frugal.

Thankfully, in the years since then I have regained most of my old energy and the writing brings in a much better income. I’d glad I don’t have to take on a second job, because I worry that doing so would bring back the chronic fatigue. There are other things I’d like to do, like finally get a university qualification, but again, I worry about what affect that would have.

Q: With such a large range of trilogies many of which interrelate do you have a huge whiteboard in your office with timelines, family trees and maps? How do you keep it all straight?

I have a pinboard above my writing desk, but it’s mainly covered in maps and plans. All my lists of made-up words and character names are on my computer. There’s less of this than you’d expect, actually. I try to keep my cast of main characters small enough to be easily manageable. I figure that if I can remember who is who,  the chances are better that the average reader will keep track as well.

Q: I know you do a lot of craft, as well as cooking. Do you find that you need these creative outlets to counter balance the intensity of writing really long fantasy trilogies?

Yes, I’ve always found that the compulsion to write dries up if I’m not doing other creative activities. Part of the reason is that I do a lot of thinking about stories when painting or I’m involved in something repetitive and soothing like weaving. Another part is that finishing a craft projects provides a feeling of completion and achievement on a regular basis, which I only get once a year or so from writing. The crafts I do also qualify as research – they provide an understanding of how thing were made in the past and can be a source of inspiration for stories and building fantasy worlds.

I’ve read articles about chemicals in the brain that relate to creativity, that suggest that the more you produce them the easier it is to produce them. Creativity stimulates creativity.

Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club.

When I saw the discussion about this on the internet my first reaction was ‘is there really?’. It’s certainly not the case here in Australia, where most fantasy authors are female.

When I considered the ratio of male to female overseas authors I knew of, there didn’t seem to be a big imbalance. Then I learned that I would be attending a Mega Signing in the UK as part of the publicity tour for The Rogue in May, and that I was the lone woman in a pack of eight male writers. That certainly made me sit up and take notice!

While the boy’s club label didn’t seem immediately true of authors, it did agree with my impressions of the commentators of sff overseas and this article confirmed it. I’ve always been a bit bemused by the UK/US awards shortlists and the books reviewed in magazines. The sort of fantasy they seem to like is what I’d call ‘blokey’.

Q: So you think there’s a difference in the way males and females write fantasy?

Yes, but not all writers all the time. Most male and female writers come pretty close to a style and flavour of fantasy that sits easily in the middle. But there are definitely writers who write in a blokey or feminine style, even if they’re of the opposite gender.

I suspect there are cultural differences, too. The sort of fantasy popular in the US may seem blokey to our Australian tastes because we have more female fantasy writers here and the subtle differences in the way women write fantasy may feel ‘normal’ to us. Is the opposite true? I don’t know. But if it is, it doesn’t seem to be putting off overseas readers. Every time I talk to people in the oversees publishing, bookselling and commentary industries they ask “why are there so many fantastic women fantasy writers in Australia?”. Maybe the question should be “why aren’t we paying more attention to all the fantastic women fantasy writers in your own country?”.

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

I would be lying if I said it didn’t, but the important thing is it doesn’t stop me wanting to read a book. Ultimately I want to read a good book, and I never consider if that’s more likely because the writer is male or female. I certainly never decide that a book is bad or not my taste because of the gender of the writer.

I know some readers do, and I slot that in the same category of “extremely fussy and a bit strange” readers along with those who won’t read a book written in first person, or that have prologues or epilogues, or with a point of view character in a gender or sexual orientation different to their own.

I don’t feel I should be judgemental toward a reader because of their reading comfort zones, but I do feel sad that they may be missing out on great books.

Q: What do you plan to write next?

I’m really excited about the next series, Millennium’s Rule, which we’ve just finished negotiating the contract for. It is set in a multiple world scenario, where characters with the ability can hop from one world to another. In one world, where there has been a kind of industrial revolution powered by magic, a young archaeology student finds an ancient treasure – a sentient book. In another world, trapped in its own dark ages, the daughter of a cloth merchant must hide her powers from magic-hating, priests.

Q: Sounds like fun to read and to write! And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?

I would go into the future, maybe by a hundred years. Maybe that’s surprising from a writer of fantasy, which is mainly set in worlds based on past eras, but I’m not under any delusions that any time in the past was a better one than now. Not that I expect the future is guaranteed to be either, but I always want to know to know what happens next.

To win a copy of Trudi’s latest book  ‘The Rogue’ answer this question: Why do you think there are so many fantastic female fantasy writers in Australia?

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Filed under Australian Writers, Book Giveaway, creativity, Fantasy books, Female Fantasy Authors, Genre, Inspiring Art, Promoting Friend's Books, The Writing Fraternity