Category Archives: Writing craft

Pitch that Book

If you’re a writer, you probably dream of getting published. I know I did. (And yes, it really does feel as good as you imagine it will, the day the editor rings you up and says ‘I want to publish your book.’)

But it is really hard to get your book past the gate keeper. More publishers are saying they don’t take unagented submissions and it is hard to get busy agents to look at your work.

One way to get your work in front of an agent or an editor is to Pitch your Book at an event specifically designed for this. Pitching opportunities occur at conferences and festivals. On Saturday I ran a Pitching workshop to help people prepare for what can be a very nerve wracking experience. And I promised to provide a list of pitching opportunities. So here they are:

There are online pitching opportunities such as:

Allen and Unwin Friday Pitch

Random House Children’s Pitch

To pitch in person attend conferences. These vary from year to year. I know the Brisbane Writers Festival has had pitching opportunities. So check out your local writers festival and see what they are offering.

National Romance Conference

Childrens and Young Adult Conference

Bundaberg Writers Festival

New York and Algonkian Conferences

Here is a UK agent’s blog dedicated to the art of pitching.

The Pitch Parlour

And keep an eye on the agent and editor blogs. They often offer advice on pitching. Every now and then and agent will announce that they are open to pitches via their blog, so it is worth finding s few you like and following their blogs.

Sydney Literary Agent.

Kristin Nelson from Nelson Literary Agency.

Nathan Bransford from Curtis Brown.

Book Ends Literary Agency.

So that should be enough to get your started. Let me know if you have any questions.

Meanwhile, there were some questions about agents, so I’ve done a post here, for anyone considering approaching an agent.

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Filed under Competitions, Pitching your book, Publishing Industry, The Writing Fraternity, Workshop/s, Writing craft

Drive by Post.

I’m running a Hands-on Pitching Workshop tomorrow.

Once again, the Redlands Libraries are supporting the writers in their area. For those of you who live in South East Queensland and know where the Victoria Point Library is, the workshop is on from 10 – 12 noon. Call Leah on 07 3829 8779

Bring your thinking cap, as they used to say in school!

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Back refreshed and ready to tackle a recalcitrant book!

You know how your mind gets when you’ve been working too hard. Seen the same thing day after day, done the same thing day after day and tried to be creative on top of that?

My mind felt stale.  Taking a trip to Tasmania was just the thing I needed to refresh myself.  The air was crisp and cool, something we don’t get much of here in Brisbane, and everywhere I looked there were scenes worthy of photographing. Not that I’m much of a photographer. Daryl took this one of Ross Bridge.

It was built by convicts back in the days when a soldier who had served at Waterloo could find himself on the other side of the world in a tiny town in the middle of Tasmania, guarding the female convicts.

I took this picture at dawn from the top of a hill at St Helens on the east coast of Tasmania. It was beautiful, the photo doesn’t do it justice. The people inthe house below had a fire going to keep warm and I was trying to capture the dawn sun shining through the smoke.

The other thing that I did a lot of was writing. I took my lap top and wrote about 60 pages of my latest WIP (work-in-progress). I did want to finish the book and I’m about a chapter off the end but I can’t finish it.

I know how I want the story to end, but the characters are refusing to go in that direction. I’ll have to return to the beginning and rewrite it, tweaking as I go, to get to know them all over again, because they have grown and changed as I wrote. Now they have a better idea of what is true to them, than I do and forcing them  to do something just because I’d planned it, is only going to make the writing flat and boring. Sigh.

Do you have recalcitrant characters?

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Industry Links

On Saturday I ran two workshops,  Proposal Writing and How to write Dark Urban Fantasy. The attendees asked so many questions about the publishing industry and the craft of writing that I kept saying I’ll put a link on my blog. So here is the post with the links to all those sites we talked about. Hi People  (waving madly).

Getting feedback on writing.

You’ll get feedback from a writing group, preferably one that concentrates on your genre.

A lot of the attendees were writing speculative fiction (dark urban fantasy, fantasy and SF). So here is a link to the VISION writing group. They meet in person in Brisbane, but they also have an online group where you can swap industry information and ask questions.

There’s also Romance Writers of Australia for those who are writing paranormal romance and dark urban fantasy. If you drop by the Authors page, you’ll see Keri Arthur (Best Selling Dark Urban Fantasy Writer) is a member. The authors are listed alphabetically and you can see what area they are published in on the right. RWA has a paranormal e-list for writers of this genre.

You could do Year of the Edit with the Queensland Writers Centre. They also run Year of the Novel which is on the same page.

Then you could get your manuscript appraised by someone who knows the genre. The Australian Writer’s Market Place is a great resource for finding publishers, agents, competitions and manuscript appraisers.

You could also apply for a mentor through the Australian Society of Authors. A mentor will guide you through the process of writing and give you feedback. Here are last year’s successful entrants who won a mentorship. The Competition is run every year, so watch out for it.

To get your work noticed:

You could enter competitions (you’ll find them in the Australian Writers Market Place) but here are a few.

Varuna runs a number of programs such as fellowships and mentorships.

The QWC is offering an opportunity for children and Young Adult writers to work with editors from Allen & Unwin. And this is their page for general compeitions and opportunities.

CYA Conference (Children & Young Adult writers) often runs pitching opportunities as well as a competition for both published and unpublished writers.

Bundaberg Write Fest is run each year and often has an opportunity to have your work read by and agent/editor.

There’s the Text Writing Competition for YA and children’s books.

The Ipswich Writers Festival aren’t runnign their competition any more and Voices on the Coast and Somerset Literary Festicval competition are for children who write, not for children’s writers.

Steampunk

The workshop attendees were also intrigued by the steampunk genre. Here is a link to Richard Harland’s post about how to write steampunk. And here is a link to Richard in his outfit, about to set off on his book tour. Here is a link to a post I did on the topic, complete with steampunk dalek!

Editing

I did a post recently onthe editing process and here it is.

E-Books

I did a survey on e-books, who is reading, who is writing for them. Here’s the results. There are links through to several other posts on e-books.

So that is it for now. If there’s anything I’ve missed let me know.

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Filed under Competitions, E-books, Nourish the Writer, Publishing Industry, The Writing Fraternity, Workshop/s, Writing craft

Now Authors have to pitch that book

And you thought all you had to do was write a good book!

As more pitching opportunies come up, it is not enough to be able to write a good book, you need to be able to sell it to an agent or publisher. Over here at the ROR blog, I’ve done a post on how to pitch.

In Australia there are online pitches like the  Allen and Unwin Friday pitch and the Random House children’s book pitch.

If you are brave enough to pitch in person the national romance conference run by RWA, have pitching opportunites.

And the Childrens and Young Adult Conference has pitching opportunities.

Over at this UK agent’s blog The Pitch Parlour you can send in your pitches and get feedback.

And keep an eye on the agent and editor blogs. They offer advice on pitching.

Sydney Literary Agent.

Kristin Nelson from Nelson Literary Agency.

Nathan Bransford from Curtis Brown.

Book Ends Literary Agency.

So there you are, no excuse. What, you’re nervous? You never thought you’d have to sell your book to an agent or editor? Welcome to the brave new world of publishing, when the author has to not only be able to write, but has to be entertaining as well. I saw Ncholas Evans speak, when his book The Horse Whisperer came out and was made into a movie. He told a story about being asked to pose for a photo to go with an interview and the photographer said, ‘Try to look intelligent!’

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Indulgence Day!

Ok, I’ve worked hard all week. In fact, I’ve worked hard all term and it’s not over yet. Next week all the final assessments are due in, which means I’ll be doing marking for hours on end.

So this weekend I am treating myself, and my boys. We’re going to see the new Iron Man movie. What’s that? As soon as I say the words you can hear the music? Now that’s what I call Resonance. Black Sabbath’s ‘Paranoid’ which contained Iron Man was released in 1970. So I grew up with it. And it is still as powerful as it was then.

What else do you think of when I say Iron Man? This weekend with the second movie just released it has to be Robert Downey Jr’s portrayal of the Tony Stark character. Kudos must go to the script writers of the first movie, Markus Fergus, Hawk Ostby, Art Marcum, Matt Holloway and John August. Of course, Downey did a great job with the role, but I think the script writers’ strike proved that without writers you don’t have a TV show or a movie.

So what we’ll do is watch the first movie tonight, to refresh ourselves, then see the second movie tomorrow. I’ll be looking for stylistic consistency. And I’ll be looking to see how they develop Tony Stark’s character.

A lot can be learnt from movies and TV shows. Everything, character, world building, plot clues and tension all have to be established fast. And then there is Resonance, the feel you associate with a movie or TV series. There is also Resonance associated with books and book series. And if you don’t think that books carry Resonanace, what do you feel when I say Terry Pratchett’s Disk World series? Totally different from China Mieville’s Perdido Street Station. What about Mervyn Peake’s Ghormenghast? It’s been thirty years since I read that and yet, I still have a strong sense of place and character.

Maybe I’ll do a post on Resonance. I find it really interesting. What books and characters stick with you over time?

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Writers lead exciting lives!

What I’m NOT doing today is lying on my back in a sunny field watching the clouds go by.

What I am doing is checking the page proofs for book one of King Rolen’s Kin.

I suppose I could be cleaning the stove …

No, honestly, I’m happy to spend the day checking the page proofs. There is something very satisfying about polishing your work and the closer the book comes to publication, the more satisfying (and scary) that is.

I had a nightmare the other night. I dreamed the book had come out and a reviewer gave it a scathing review. They said it was derivative. Then they pointed out all these things that were derivative and I was thinking how did I not see this? And feeling awful!

In the light of day I know the book is not derivative. Sure it is a traditional fantasy so it plays with themes that are familiar to all of us, but it is also quirky and fun because the characters are what drive the plot forward, which makes it a satisfying read. I hope.

I’m guessing every writer quakes in their boots when their book is about to be published.  Here’s hoping King Rolen’s Kin is a Keeper. What books do you consider Keepers?

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Industry Insight

Over at the ROR blog we’ve opened the blog to industry questions.

We realised that between us we had over 70 years experience in the publishing industry. (Now that is a scary thought!). So we’re answering questions.

Over at the Mad Genius Club – Writers Division, we’ve been discussing e-books and their effect in publishing.

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Currently watching ….

Mad Men Series 3

First let me say, I always buy the whole series of a TV show and watch it in batches of 3 or 4 episodes at a time because I’m interested in the story arc and character development.

I keep watching this show because it is like a time capsule. As I sit there watching Betty, heavily pregnant, smoke and drink blissfully unaware of the damage she’s doing I think, what a nice piece of writing/directing.

Someone complained when the first season came out that there were no black people in it or, if there were, they had subservient roles. (A few  black people have turned up since). This isn’t a story about the emancipation of the blacks in the US in the 60s. It is a story about the advertising world of Madison Avenue and it would be anachronistic to show a black man working in advertising with Don Draper. (If someone can prove me wrong, I’m happy to be corrected).  The way women and blacks  are treated in the show is accurate for the time.

And that’s what I find fascinating. Betty and Don Draper could be my mother and father. Not that they drank, smoked and had affairs, but the limitations of their life choices were the same. My mother had three career options, teacher, nurse or secretary. And women were expected to stop work when they got married.  The clothes, the cars and the furniture are all from the period when I was a very small child. So, for me, this show is a trip down nostaglia lane.

Watching Salvatore try to hide he fact that he’s gay, watching copy writer Peggy battle to have her abilities recognised, watching head secretary Joan be passed over when she could run the place, watching house wife Betty’s quiet desperation as she describes herself as a pampered ‘house cat’ makes me very relieved that I don’t live in the 1960s.

But I do feel the show would be a little stronger, if it veered one step closer to social commentary. There is so much material to work with. What do you think?

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Text YA and Children’s $10,000 Fiction Prize

It is hard to get noticed if you’re writing and you don’t have an agent. One of the best ways is to enter competitions. So here is the link to the Text YA and Children’s $10,000 Fiction Prize. Entries open on the 3rd of May.

Last year’s winner was Leanne Hall, with her book ‘This is Shyness’.  From the blurb it sounds like YA magic realism.

The 2008 winner was Richard Newsome with  his book ‘The Billioniare’s Curse’. From the blurb this looks like an upper end primary aged mystery/adventure.

Even if you don’t win, placing in a competition like this is a great recommendation when you approach an agent. What competitions have you entered and how did they help you?

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Filed under Children's Books, Competitions, The Writing Fraternity, Writing craft