Category Archives: The Writing Fraternity

Telling Lies to reveal an Inner Truth

That’s what fiction writers do. They tell lies (stories) to give the reader an insight into the human condition.

Because, let’s face it, if you are anything like me your days are filled with endless running on the spot, just to keep from going backwards.

You run to get the kids to school, part time jobs and uni. You run to get the house work done (shopping, cooking, washing). You run to get to work with everything ready so you don’t let yourself or anyone else down. And you run to make the time to do the extra things that make life worth living. (For me it is writing and story related).

With all that running it’s easy to overlook the profound in the everyday. (We all need a bit of  time to sit back and watch the waves).

Writers who told lies to reveal inner truths:

Charles Dickens ‘Oliver Twist – recurrent theme of social reform and good versus evil.

Mary Shelley, ‘Frankenstien’ – What is human?

Jane Austen ‘Pride and Prejudice’ – The title gives this one away.

George Orwell ‘1984’ – The danger of a totalitarian state.

William Golding ‘Lord of the Flies’ – Golding claims the book was written to trace the problems of society back to the sinful nature of man.

Ray Bradbury ‘Farenheit 451’ – The repression of the questioning mind by the destruction of books (access to knowledge).

Ursula K Le Guin ‘Left Hand of Darkness’ – Explores the themes of gender, politcis and religion.

If you are a modern writer who wants to explore an inner truth this could be confronting for your readers. You have to overcome their unconscious prejudices before you can win them over to identify with your protagonist. Once they identify with a character they can feel empathy. And empathy is what leads to insight.

This is why the genres Fantasy and SF are so powerful. By removing nouns loaded with associations, the writer can introduce characters that the reader responds to and explore themes without risk if distancing the reader.

If you are writing a contemporary novel you have to do lots of research to get your facts right. If you get something wrong someone will know and it will throw them out of the book. Once you break the suspension of disbelief you lose your reader. But, even with all that research, you won’t be able to find the perfect set-up to put your character in so you can challenge the protagonist and explore your underlying theme because you are limited to the world as we know it.

An invented world gives the writer the freedom to create settings and events specifically to test their characters and explore their themes. This is why fantasy and science fiction are such powerful genres. (With invented worlds you still do lots of research so that the worlds are consistent and believable).

In 2004, Le Guin gave a talk at the Children’s Literature Breakfast, where she described what she sees as the function fantasy serves in contemporary society.

“Fantasy is a literature particularly useful for embodying and examining the real difference between good and evil. In an America where our reality may seem degraded to posturing patriotism and self-righteous brutality, imaginative literature continues to question what heroism is, to examine the roots of power, and to offer moral alternatives. Imagination is the instrument of ethics. There are many metaphors beside battle, many choices besides war, and most ways of doing good do not, in fact, involve killing anybody. Fantasy is good at thinking about those other ways.”

So there you have it, writers tell lies to reveal inner truths. What books have made you stop and think?

Lots of analysis of books and their themes here.

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Filed under creativity, Nourish the Writer, The World in all its Absurdity, The Writing Fraternity

Currently Reading …

I commute to work which is a half hour trip both ways. To save myself from boredom- also to save myself from reading over people’s shoulders as I can’t seem to resist the written word – I bring a book to read.

I’ve always enjoyed Georgette Heyer’s comedy of manners. This series has that sense of fun.

Werewolves, vampires and parasols, oh my!

I watched a documentary recently on the demise of the romance movie. Screenwriters were saying – Where is the romance and sexual tension if the guy and girl can hop into bed on the first date and no one blinks an eye.

In this series there is a great deal of eye blinking going on. I read it on the train and try not to giggle aloud.

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Filed under Currently Reading, Fun Stuff, Genre, Nourish the Writer, Resonance, The Writing Fraternity

Are all dedicated readers aspiring writers?

I love reading.

But I can just remember a time when I couldn’t read. I was two and my mother had a picture in the bathroom. It contained a children’s nursery rhyme about cleaning up the bathroom. And after the bath, she’d point to it and read it and say, now you can’t leave the bathroom before you clean it up. So we’d put the toys away and hang up the bathmat.

I hated that picture because it had power over me and no matter how hard I tried I couldn’t see where the power came from.

I started school at four and I don’t remember learning to read.  It was the time of Dick and Dora and their dog Spot. (See Spot run. See Dick run. See Dora run. Riveting stuff). I remember being pages ahead of  the class because listening to them read was painful. When it came to my turn I had no idea where they were and the teacher thought I couldn’t read.

So reading is like breathing to me. I can’t help it. Conversely coming up with stories is also like breathing. There have always been stories in my head. I’d pester my poor grandfather for stories. And wonder why he couldn’t come up with dozens of them. His stories tended to be practical snippets like. You grab a snake behind the head real quick, and crack him like a whip to break his back. Grandfather was from the bush.

When I had my secondhand bookshop I’d read a book before lunch, a book after lunch and a book after dinner. (This was in the days when books were 60,000 words). Soon I’d read every book that interested me in my shop. I’d prowl the shelves searching for anything that piqued my interest. When ever someone bought in books to sell I’d put aside any that I found interesting and devour them.

But before long there were days when I could not find anything to read. Or I would start books and get annoyed with them. So I just had to write to feed my reading habit. That’s how I started writing.

Are all dedicated readers aspiring writers? Over at the ROR blog the Sunday Writing Craft post is a Checklist for Aspiring Writers.

I suppose it is different now that we can buy the DVD of our choice, surf the net and play computer games.  But sometimes, only a book will do. What do you do when you can’t find a book to read?

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Filed under creativity, Fantasy books, Fun Stuff, Nourish the Writer, The World in all its Absurdity, The Writing Fraternity, Writing craft

DUF Giveaway

It is always a thrill when someone you’ve known for years gets published. Here is the cover of Nicole Murphy’s new  book, first of a series. They are dark urban fantasy.

Over on the ROR blog Nicole is talking about the process of getting published and there’s a giveaway!

The Dream of Asarlai is an urban fantasy trilogy being published in Australia by HarperVoyager. The first book, Secret Ones, is due to hit the shelves in July, with the other two books appearing next year.

Here’s the blurb.

She′s from an ancient clan. He has no family. Can they save the world … together?

Maggie Shaunessy is used to keeping secrets. She′s a fantastic teacher, but she′s also gadda, part of a hidden, powerful race – and she has a habit of annoying the wrong people.

Until Lucas Valeroso meets Maggie, he had no idea what awaited him: super-human powers, a smart and beautiful woman interested in more than unlocking his new abilities and, above all, a sense of belonging.

But dark ambition and dangerous bigotry are emerging in the gadda ranks. Lucas′s new family might cast him out before he′s even truly found his place. And Maggie must work with new allies to find and retrieve a missing artefact before the entire world is changed for all time.

′fresh and interesting approach to an urban fantasy series′ Bookseller+Publisher’

Support Aussie authors not only becaue they’re Australian, but because they write damn fine books!

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Filed under Australian Writers, Book Giveaway, Competitions, Dark Urban Fantasy, Fantasy books, Fun Stuff, Genre, The Writing Fraternity

Lovers of Dark Urban Fantasy …

For those of you who like Dark Urban Fantasy, here is a review of Trent Jamieson’s book. Death Most Definite. They say:

‘The fascinating central premise of Death as a corporate interest is handled in a serious and frighteningly credible manner, allowing for some engrossing and inventive world-building on the author’s part; the twist-laden plot belts along at breathtaking pace from page one (‘unputdownable’ is a fair description)’

Naturally, I’m delighted with this. I got to read Trent’s book in the final draft at ROR in March 2009 when we stayed in Maleny. Lots of delicious cooking, thanks to Dirk Flinthart, lots of wine and lots of talk about the craft of writing, while analysing my friends’ wonderful books. What could be better?

And here is the bookplate I designed for Trent. Look out for book one of his Death Works trilogy in the bookstores in August.

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Filed under Australian Writers, creativity, Dark Urban Fantasy, Promoting Friend's Books, The Writing Fraternity, Writing craft, Writing Groups

Help for writers …

Writing is a lonely business, just you and the characters in your head.

But you don’t have to be alone, looking out at the big world of publishing, wishing you were swimming in those waves. (OK, I’ll stop the analogy now).

There are writing groups out there specifically for Speculative Fiction writers (spec fic – fantasy, science fiction and horror). I’ve done a post over at the ROR blog which attempts to be a round-up of Australian Spec Fic writing groups.

I learnt so much from the Vision writing group and made friends many of whom have gone on to be published writers. It is great to be able to share the ups and downs of completing a book, sending it off, getting rejections and ploughing on.

Only another writer will really understand the thrill of that phone call, when an editor rings you up to make an offer on your book. (They ring you up because they like to hear you go ‘Squeeee’ when you realise what they are saying).

So consider joining a writing group. If meeting in person feels a bit daunting, there are the online groups. Vision has an e-group where you can dip your toes in the water, as it were. (Okay, now I really will stop with the analogy).

Do you belong to a writing group? Maybe you belong to a reading group.

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Filed under Australian Writers, Nourish the Writer, The Writing Fraternity, Writing craft, Writing Groups

The Power of Fantasy

I spent way too long today writing an article on fantasy, why it is popular with both the writers who choose to write in this genre, and with the readers, who keep buying those trilogies.

I should have been working on the the first draft of the book I have to put into ROR for critiquing. We plan to have a ROR the week before World Con and I’m really looking forward to the feedback.  But first I have to get my book finished (at least the story arc completed, if not polished) and then I have to read everyone else’s books and write reports on them. I’m 360 pages into the new book, but I need to go right through it from the beginning to tie all the loose ends together, then sail past page 360 and give resolution to the story.

So I should not have spent my only day off work writing an article on the fantasy genre. I agonised over what to cover and what to leave out. I had to make it accessible for those who did not read fantasy, while giving it an Australian slant. I emailed writer friends for quotes on why they wrote fantasy and what they thought readers got from fantasy books. And I sourced lots of links for readers to click through. I could not find a definitive list of Australian fantasy writers, categorised by fiction length and sub genre.

I’d like to thank everyone who indulged me and answered my emails. And I’d like to say, if I haven’t mentioned your favourite author it was not because I don’t appreciate them, rather it was due to lack of space. The genre is far too big to cover in one article. The article is here at the Australian Literature Review.

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A Salute to Female Writers of the 70s

Recently I came across an interesting phenomenon. Young women of today (educated, professional young women) find feminism a bit passe. ‘What’s all the fuss about?’.

I was there in the 70s  when the books written by female SF writers were being published.

In the 70s I had a bookshop where I sat and read all day. I’d read a book before lunch, a book after lunch and a book after dinner. It was heaven. Amongst the authors I discovered were  Joanna Russ, Vonda McIntyre, Ursula K Le Guin and Doris Lessing.

This was back in the days before the web and you could hardly discover anything about writers. I never knew that Russ had won both the Hugo and the Nebula, I just liked her books. When I discovered Joanna Russ, I read everything of hers that I could find. I can still remember scenes from her books 30 years later. Her characters were so different, they resonated with me. Now I can google her bio to learn about her. Her wry sens of humour came through her writing. Here’s a great quote from her on ‘How to Suppress Women’s Writing.

“She didn’t write it. She wrote it but she shouldn’t have. She wrote it but look what she wrote about. She wrote it but she isn’t really an artist, and it isn’t really art. She wrote it but she had help. She wrote it but she’s an anomaly. She wrote it BUT…”

And here’s a review of ‘How to Suppress Women’s Writing’.

Then there’s Ursula K Le Guin, much has been written about her work.  In 1969 when Le Guin wrote Left Hand of Darkness it won the Hugo and the Nebula. See here for some background info. (And here is a study guide for the book. Don’t you love the web?). When I read ‘Left Hand of Darkness’ I had no trouble identifying with the  non-gendered aliens. But the first time I read it I didn’t notice  that Le Guin had used  the male pronoun for these aliens. This book is all about gender and perception, yet  she used ‘he’ as the generic pronoun. When asked years later, Le Guin said she had used ‘he’ as a default. (I came across this quote while researching for my MA, and don’t know where the reference is now). But since then …

‘Le Guin has written essays since about the assumptions she made in writing the book. She’s also written the story “The Winter King” where she uses “she” as the pronoun for all Gethenians, rather than “he” as she does in the book (The Left Hand of Darkness), and the story “Coming of Age in Karhide.” Both of these explicitly feminise the Gethenians. They’re interesting, as are her writings about the book, but they’re afterthoughts from a different world.’

It is amazing how the perception of the character changes if you believe the narrator to be male or female. I once read a whole short story where no gender specific pronouns were used. (No ‘he’ or ‘she’). It made for some challenging grammar.The author used non-gender specific names and I found my perception of whether the character was male or female changed depending on whether they were being active or passive. The author was making a point about our perceptions as readers. (This story was also published in the 70s, when feminism was pushing boundaries).

Vonda McIntyre came out to Australia for a convention in the late 70s. (Can’t remember which one). I read her book ‘Dreamsnake’ . It won both a Hugo and Nebula. One line made me realise how gender blinkered I was by my upbringing. We are all products of our time. We don’t see it how blinkered we are unless writers and artists hold a mirror to us. SF and Fantasy create their own worlds, so they can hold a slightly distorted mirror that can surprise us with its insights.

In 2007 Lessing was awarded the Noble Prize for Literature. With Doris Lessing I must have discovered her in the brief period that she was writing Fantasy and SF. It is all a bit fuzzy now, but what stands out in my mind is the humanity of her writing.

All these years later, I’m taking my hat off to those writers. Thank you, Ladies.

It is because of people like you that feminism can seem passe.

What writers have impressed you with their insights?

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Filed under Fantasy books, Nourish the Writer, SF Books, The Writing Fraternity, Writing craft

More Cross Pollination

Having offered to do a bookplate for Tansy, I had to offer to do a book plate for Trent.

Death most Definite’  is the first of Trent Jamieson’s three books to be published by Orbit in the Death Works series.  Like Tansy’s series, I feel particularly proud of book one because we critiqued the manuscript at the last ROR. Meanwhile, Trent’s editor was taking it to an acquisitions meeting to see if Orbit would buy it. Everytime Trent’s mobile rang we thought it might be his editor reporting in. So you can imagine how exciting that was.

Trent’s series is also urban fantasy but very different from Tansy’s. Set in a Brisbane and south East Queensland, much like the one we know, only Death is a business and, what with corporate take overs and mergers, it can be dangerous. Steve is just a lowly employee, whose job it is to help the recently departed through to the after life, when he gets involved in a take over.

I have to admire the way Trent handles drama, death and danger with his trademark certain dry  humour. Seems like everyone is writing DUF ( Dark Urban Fantasy). It’s accessible. It’s fun.

I can recommend both Trent and Tansy’s books. What have you read in this genre recently that you’d recommend?

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Cross Bookplate Pollination!

What is Cross Bookplate Pollination?

I’m glad you asked. It is when I create bookplate for my dear friends and then blog about it.

This one is for Tansy, whose Power and Majesty, book one of Creature Court has just been released. You can read about her launch here. And you can hear podcasts from the book here. Go Tansy.

If you like  Dark Urban Fantasy with a twist, in this case 1920s style combined with Roman festivals and sexy naked men falling from the sky, you’ll like Tansy’s new series.

Having read book one at the last ROR, I’m looking forward to reading book two!

Tomorrow I’ll give you a glimpse of the bookplate I did for Trent’s new series.

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