Category Archives: Nourish the Writer

Meet Trent Jamieson …

I have been running a series of  interview with female fantasy writers to redress a perception I came across – that fantasy was a bit of a boy’s club. It really isn’t like that here in Australia. We have many wonderful fantasy writers who just happen to be female.

Today I’m interviewing Trent Jamieson because, for one thing he has a wonderful new book coming out. (Yay Trent!), and also I thought I’d ask him the same questions I’ve asked the female writers about fantasy writing and gender, to get his perspective as a male fantasy writer.

I’ve known Trent Jamieson since he was a fresh-faced aspiring writer coming to the VISION meetings (almost 15 years) and Trent has been a part of the ROR writing group for 8 years. He’s sold heaps of short stories, won or been a finalist in awards and now has a second series coming out.

Watch out for the give-away question at the end of the interview.

Q: I can remember dropping you at the ferry after one of our critique sessions, saying – One day The Roil will be published, Trent. It’s so creative and interesting. It just has to hit the right publisher at the right time. Now it is coming out through Angry Robot. I was thrilled when you asked me for a cover quote. The Roil can be described as Steampunk, but it is so much more, dystopian SF, Lovecraftian horror. How long has The Roil (The Nightbound Land duology) been in the making?

Ooh, I remember that, too! I’m not sure if I believed you at the time, but I’m so glad you were right. In fact, I never quite believe it until I know the book is in print – just got an email from my publisher to say that copies arrived at Angry Robot today – Yay!

The Nightbound Land’s been around in my head a very long time, at least ten years though there are elements going back to my early twenties, just after I graduated Uni. I’ve notes sketches, and bits and pieces in my earliest notebooks. I think this is the world that I’ve kept circling all my adult life, and I might come back to it once I’ve finished the next book (which is due in a couple of weeks, Arrrgh!). I’ve short stories planned, there’s a novella I want to do concerning a person that really only shows up for an instant in book one (and as a corpse, no less, but up until that point they had led a very exciting, if rather tragic, life), there’s poems too. This is the world I always come back to in my mind.

It’s dark and grim (and I’ve glad you’ve noticed the Lovecraftian elements – there’s a reason my blog is called Trentonomicon) – and nonsensical. But it’s also very much grounded in my experience of city spaces. My wife Diana says she can’t read the scenes in Mirrlees or Tate without thinking of Brisbane.

This is Trent’s cool new book trailer for The Roil .

[youtube=http://www.youtube.com/watch?v=Cd-GIecM1jQ]

Q: You’ve written a lot of short stories with an anthology Reserved for Travelling Shows and over 23 stories published individually. Your stories have been finalists in the Aurealis Awards four times and won twice (SF and YA, but also nominated in horror). Just as it is hard to pin down The Roil, it is hard to pin down your short stories. If you had to describe your genre as a writer, how would you do it? And, if that’s too hard, what are your favourite genres to write in?

I like to mess around in various genres. Believe it or not, my first published works were nonsense poems. But I don’t set out to write in a specific genre. Stories start as either a particular image, or a weird sentence or even a beat, I just follow the pulse to end.

I don’t know if I have a favourite genre, I like the grand epic gestures of Urban Fantasy, and the way it’s also curiously intimate.

Steampunk is just glorious, the machines, the clothes, the foggy streets (or in my case rain-drenched). I’m really itching to work on a sword and sorcery novel that has been sitting in my hard drive for years (I sold Death Most Definite, before I could get back to it).

I love genre fiction, but ultimately what makes a tale work is the author writing it not the appurtenances of genre, I love authors that are their own genre, I want to read a Tansy Rayner Roberts story or a Rowena Cory Daniels story or a Marianne de Pierres story or China Mieville or Michael Swanwick or Kim Westwood.

What I would love to be is an author that drags people with them whatever genre they write in (maybe one day, eh) though my sensibilities are deeply fantastical, so they know it’s always going to be a bit weird.

Q: You’ve tutored at Clarion South and the Queensland University of Technology. I’ve always enjoyed and appreciated your critiques at our ROR weekends. Do you have any tips for aspiring writers?

Honestly the most important thing is to read, and read lots. Everything you can get your hands on, poetry, fiction, non-fiction, swim in the words. You don’t learn to riff off words until you’ve heard a lot of tunes. Unless you’re some sort of genius, then you don’t need my advice anyway.

The other thing is to take a delight in it. Writing is play, writing fiction is play, if you’re not enjoying it there are far more lucrative careers than writing (pretty much anything). It’s hard work, hard, hard work, but it should sing for you, too.

Q: Your Death Works trilogy was published by Orbit. The first book, Definite Most Definite was nominated for both the horror and the fantasy section of the Aurealis Awards (again you defy genre). This trilogy combines horror with humour, zombies and death as a corporate business (not to mention a love story).

The trilogy is set in Brisbane, our home town. In an interview on Fangbooks you say: ‘Brisbane is very important to me. From the brown, and slightly ominous coils of the Brisbane River to the flashing transmitters atop Mt Coot-tha, and the knitting needle bunches of the Kurilpa Bridge Brisbane is full of stories (and the possibility of adventure, explosions and love).’ Did you come across any resistance to setting the trilogy in a little-known Australian capital city?

None whatsoever. No-one ever told me not to set it in Brisbane, it never came up. Orbit grabbed it and ran with it, and they’ve never been anything but supportive – maybe it helps that Bernadette Foley, my publisher is from Brisbane!

See Trent’s cool Death Most Definite book trailer.

[youtube=http://www.youtube.com/watch?v=QQtI__Zc5bY]

Q: You’ve been doing a series of quirky and amusing videos. (See See Trent’s Book corners 1- 5 and Trent’s Book Corners 6- 10). What inspired you to start these?

Honestly … I discovered that I had a video camera in my computer and thought, why not? They’re really something I do as a bit of a hobby. I have a rule that they have be pretty rough, and daggy, so far I am in no danger of breaking that rule.

And, I thought, I can do this, whereas I could never see myself podcasting. Galactic Suburbia, the Writer and the Critic, Coode St Review, all of these are brilliant podcasts – that I love, and could never hope to replicate – I figured there was some room for silliness.

Q: By the end of August, you’ll hand in the second Nightbound Land book, Night’s Engines. What do you plan to write next?

Gah! I’ve a kid’s series called The Players that I wrote with an Arts Council Grant a few years back, I’d like to see if I can sell that. I’ve a Sword and Sorcery novel called Empire December that I would like to finally polish up and send out. I’ve a story about a girl that is carried by a storm to a carnival in a cherry orchard run by the devil – and he’s a slick old devil this one. And there’s a Space Opera novel I’ve been meaning to write, not to mention an Urban Fantasy series about a family in Logan City – the city on the southern edge of Brisbane. And there’s a vampire novel that I want to write based on my short story “Day Boy”.

You know how it is, the ideas never stop coming. It’s deciding which one grabs you the most at the time and running with it.

Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?

If I pick up a book without knowing the author’s gender I rarely guess correctly, and that’s usually only because the odds suggest I have to get it right some of the time! So, to me, no. Writing is about inhabiting other people’s heads. Good writers of either sex do this. I think there is a difference in the way that different people write fantasy in the politics, the concerns, the lyricism etc that they bring to their work, but gender isn’t as big a determinant of that. Though this is me coming at it as a reader, and I want to read (or at least try) EVERYTHING!

But what happens if you cut out one sex is that you miss out on fifty percent of the voices, fifty percent of the richness of the world. I don’t want to reduce my chance of being surprised and delighted by half.

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

I expect to be entertained, challenged, shocked, and taken somewhere different when I pick up any book.

Margo Lanagan, Kate Griffin, Grace Dugan, Hope Mirrlees, Lucy Sussex, Kirsten Bishop, P.M. Newton, Steph Swainston, Krissy Kneen, Gail Carriger, Kate Elliott, and I could go on and on, all of these writers do that because, like any other writer I admire, they’re not me, I don’t know what they’re thinking or what game they’re playing with their stories, until I read them.

That’s the chief pleasure of reading any work of fiction, you’re reading someone else’s imagination, and mixing it with your own to form a cool sort of imaginative story stew. What an amazing thing that is.

Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?

I think it would be to the beginning of the universe. If you could somehow exist and watch the laws of physics coming into play, watch something become, well, something when before there wasn’t anything, how wonderful that would be!

Either that or I’d love to hang out with a T-rex or two.

Give-away Question:

What steampunk technology would you used to travel around the world?

Follow Trent on Twitter:  @trentonomicon

See Trent’s Blog.

Find Trent on GoodReads.

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Filed under Australian Writers, Book Giveaway, Book trailers, creativity, Dark Urban Fantasy, Fantasy books, Fun Stuff, Genre, Nourish the Writer, Promoting Friend's Books, The Writing Fraternity, Writing craft

Meet Gail Z Martin …

As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the talented Gail Z Martin to drop by.

Watch out for the give-away question at the end of the interview.

Q: When someone has a middle name starting with Z I have to ask. What does it stand for? (Blame my obsession with words). Is it Zillah? Oh no, I just found your full name on wikipedia. It’s Zehner. OK, where does Zehner come from? Is it Dutch and an old family name?

Zehner is actually my maiden name.  It’s German.  I found that there are a million Gail Martins, so the Z makes it a little more identifiable.

Q: I see you are an SF fan from way back. I discovered fandom when I was 18. (Yay, people who don’t think I’m crazy). When did you discover Fandom and was it a great relief?

I discovered SF/Fantasywhen I was about 12, and got involved with fandom when I was about 17. Yes, it was a great relief.  I enjoyed getting together with other people who liked the same kinds of movies and books, and it was so great to be able to talk about the things I liked without being “weird.”

Q:  I see you are an Adjunct Professor at the University of North Carolina. (I’m an Associate Lecturer in Narrative, Storyboards and Animatics). What is an Adjunct Professor?

Actually, the Adjunct Professor gig went away with budget cuts in 2008, but I guess the Internet hasn’t caught up!  It’s probably very similar to your “associate lecturer” role in that as an adjunct, I wasn’t tenured faculty.  I was tapped for my expertise in a particular subject, but I only taught a couple of classes and didn’t have any advisory responsibilities.

Q: With a background in marketing (25 years in fact) you run Dreamspinner Communications. You’ve written two books on the topic 30 Days to Social Media Success and Launching your Book Without Losing your Mind. I guess with your passion for fantasy, reaching out to readers was the next natural step. Do you have any tips for writers who are just starting out?

Being present on the Internet and on social media is really crucial for connecting with readers.  It’s a great way for new writers to spread the word about their books and to begin to build a loyal readership.

Q: In amongst all the other things you do, you’ve had a book out every year (2 in 2009 and none in 2010 so it averages to a book a year) since 2007. You must have a strong work ethic. How do you juggle all your other commitments and your writing?

Actually, the second book in 2009 came out on Dec. 31, so it might as well have been 2010!  I’ll have three new books out this year—one fantasy and two non-fiction.  I just love writing, so it doesn’t feel like work.  I own my own business, so making time for the writing is a lot easier than when I worked in corporate.  And I make a lot of “to-do” lists!

Q: Your Chronicles of the Necromancer had some gorgeous covers. How much input do you get with our covers?

I’ve been very fortunate to have had some amazing cover artists.  A good cover really goes a long way toward selling a book!  From The Blood King onward, I had the opportunity to supply a paragraph or two of description for the character on the cover.  I love all my covers, but I think Dark Haven is especially spot on!

Q: In Chronicles of Necromancer your main character has the power over the dead (not surprising since he’s necromancer). You don’t often see the exploration of ghosts and vampires in the traditional fantasy books. Was this something that you’d been wanting to write for a long time and it just bubbled up out of you?

I love ghosts and vampires, so if I was going to write a series, those had to be in there somewhere!  Historically, ghosts and vampires were very much a part of medieval folklore, so to me it doesn’t seem strange.  And I just wasn’t in to writing about elves and dwarves!

Q: You set four books in the Necromancer Chronicles, The Summoner, The Blood King, Dark Haven and The Dark Lady’s Chosen. By Book four Tris has become king. Does The Fallen Kings Cycle pick up right after the end of book four with The Sworn The Sworn and then The Dread which is due out next year?

Yes.  There’s about six months of elapsed time in the book universe between the end of Dark Lady’s Chosen and the beginning of The Sworn.  Then The Dread picks up immediately after the end of The Sworn.  All six books cover just a little less than three years in the characters’ lives.

Q: You interviewed me for a podcast. (See here). When did you first start doing podcasts and what attracted you to this form of communication?

I’ve been doing podcasts now for almost four years.  I stumbled upon other people doing podcasts through the conventions I attended and thought it would be a lot of fun, plus a great way to introduce my readers to the interesting people I meet.  I really do have a wonderful time doing the interviews, and it’s been a terrific way to continue the conversation with many of the fabulous folks I’ve met at conventions.

Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?

I see less of a difference in fantasy than with other genres.  In general (and it is a very broad generalization with no doubt many exceptions), male writers often focus more on the action, weapons and military tactics and give short shrift to the relationships and  character growth.  I’m as interested in what’s going on inside of the characters and to their interactions with the people around them as I am in the action.  That’s what I like to read, so that’s what I write.

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

It’s usually the story synopsis on the back of a book that makes me pick it up, especially if it’s from a writer I’m not familiar with.  For male writers, I probably gravitate toward books by those writers who are the exceptions to the generalization I stated and who do include character growth and invest some time exploring their friendships, romances and other interpersonal relationships.

Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?

While there are a lot of time periods I think might be fun to visit as a tourist, I’m too fond of air conditioning and modern sanitation to want to live in any other time except our own!

Give-away Question: If you could go out to dinner with two fictional characters, who would they be?

Follow Gail on Twitter: @GailZMartin

See Gail’s Blog.

Follow Gail on Myspace.

Follow Gail on Facebook at The Winter Kingdoms

Follow Gail on GoodReads and Shelfari.

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Filed under Book Giveaway, Covers, creativity, Fantasy books, Female Fantasy Authors, Genre, Inspiring Art, Nourish the Writer, Promoting your Book

Big Girl Squee!

I’ve been sitting on this news for a while and now I can finally tell the world. Just as readers don’t only read in one genre, writers don’t only write in one genre.

I’ve been a fan of the crime thriller with paranormal elements for many years. I loved Laurell K Hamilton’s early Anita Blake books. I devoured Simon R Green’s Nightside series and I’ve always admired Janet Evanovich’s Stephanie Plum books.

I’m delighted to announce that  Clandestine Press  will be releasing The Price of Fame (approx March 2012). This is particularly thrilling for me because the publisher, Lindy Cameron,  is an award winning author in in her right and a founding member of Sister in Crime.

Lindy will be one of the Australian Guests of Honour at SheKilda, held in Melbourne, 7-9th October. Kudos to Lindy for starting her Indy Press Genre publishing house, Clandestine Press.

For more on The Price of Fame see here.

 

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Filed under Australian Writers, creativity, Dark Urban Fantasy, Genre, Indy Press, Nourish the Writer, Paranormal_Crime, The Writing Fraternity

Back from Sydney Supanova

This time last week I was sitting at the Dymock’s store at Supanova surrounded by wonderful costumes and fellow writers trying desperately to talk. I have my voice back, but I’m still suffering with the ‘flu. Can’t hear properly and it’s been almost a week since I flew home. Here I am with my amazing pull-up behind me. Clint Langley‘s artwork came up really well. Made people stop and take a second look

Was wonderful to catch up with Marianne de Pierres, Alison Goodman, Kate Forsyth and Jennifer Fallon. Also met up with Kevin J Anderson and Rebecca Moesta, who I’d met at the Brisbane Writers Festival a couple of years ago. It is nice to get away with fellow writers and talk shop, everything from career moves and publishing industry to writing craft. Although I didn’t do much talking. Very frustrating. Here we are all lined up for the obligatory photo with the storm troopers!

You couldn’t be bored. There were comic artists, manga artists and lots of amazing costumes. People who’d bought the KRK trilogy at other Supanovas came by to chat.

One girl told me, I bought your books in Melbourne. You said they’d keep me up all night and I thought you were just saying that, but they did. I finished all three in three days!

I wonder if she got any sleep.

The nice thing about Supanova is that when I was growing up there were hardly any TV shows with a spec fic theme, Lost in Space, I Dream of Jeanie and Bewitched spring to mind. It wasn’t until Star Wars in 1977 that the genre I loved started to become mainstream. Back in those days there was definitely a sense of them and us. We were the fans and everyone else thought we were crazy. Now, every second TV show has elements of paranormal/SF and no one thinks anything of it. So a pop culture event like Supanova can attract crowds of between 10 to 25 thousand. People turn up in costume and they feel like they fit right in.

Thinking of wearing a costume to Supanova? Here’s some inspiration.

[youtube=http://www.youtube.com/watch?v=W_VxCLbHiJM&feature=related]

Had to miss the Perth Supanova, my work load, the ‘flu and the cost made it impossible, but I’m looking forward to the more Supanovas in future. Maybe I’ll see you there.

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Filed under Australian Writers, Comics/Graphic Novels, Conventions, Female Fantasy Authors, Fun Stuff, Genre, Inspiring Art, Nourish the Writer, Readers, The World in all its Absurdity, The Writing Fraternity

Winner of Jennifer Fallon’s Give-away!

While at Supanova in Sydney on the weekend I was seated next to Jennifer and I managed to pin her down about the give-away. (She’s had the last couple of months from hell with earthquakes and a deadline).

So Jennifer said to announce Mark Yannalunas as the winner. Mark, if you email me  <rowena(at)corydaniells(dot)come> I’ll pass your email along to Jennifer and she can organise your book for you.

Meanwhile, I happen to know that Jennifer’s next book will contain Ninja Fairies! So there’s a thought to conjure with!

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Filed under Australian Writers, Book Giveaway, Fantasy books, Female Fantasy Authors, Fun Stuff, Genre, Nourish the Writer

Winner Kaaron Warren Give-away!

Kaaron has a copy of  The Walking Tree to give-away. She says:

Such inspiring responses! Part of the joy of book buying is the shared experience of a good read. Friends and I run the second hand book stall at our school fete, and we spend half the time recommending books we’ve found. One of my favourite days of the year.

I loved all the bookshop descriptions, but in the end chose Eleni, because I relate to her description of shelves that are not too high for short people!

 

Elini, please email Kaaron on kaaronwarren(at)hotmail(dot)com

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Filed under Australian Writers, Book Giveaway, Dark Urban Fantasy, Fantasy books, Female Fantasy Authors, Fun Stuff, Nourish the Writer

Meet Nicole Murphy …

As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the talented Nicole Murphy  to drop by.

Watch out for the give-away question at the end of the interview.

 

 

 

Q: With your Asarlai trilogy there is a strong love story running through each of your books. Is this because you are a romantic at heart?

Oh, absolutely. Big, soppy, kissy-kissy romantic. I’ll cry at romantic movies. I’ll sigh when the big proclamation of love scene comes. I think about Chandler proposing to Monica, or Lizzie finally accepting Darcy, and I just swoon.

When I started writing, I was trying my hand at epic fantasy and space opera. Then I realised that no matter what I attacked, it came with a strong romance subplot. So I decided to drop the rest of it and have a go at writing a fantasy romance. That was the original draft of Secret Ones.

Q: This trilogy strikes me as a modern take on Irish mythology. What attracted you to use this as a background for your world building.

Ireland came about because I couldn’t figure out how to use Australia. I’d decided the gadda were going to be a race that developed alongside humans but from different ancestors. I tried to make that ancestry Australian, but I couldn’t get my head around how to do that and not do something wrong to Indigenous mythology. So I tried another direction – humans originated in Africa. What’s the opposite of Africa? Answer – Ireland.

The great thing about this is because I’m not dealing with humans, I don’t necessarily have to be true to Irish mythology. The way I see it, the gadda are on the other side of the stories. They’d agree with some of the elements, but others from their point of view would be just plain wrong. So I’ve got the freedom to play within the mythology without having to be accurate.

Q: I hear you’ve put a proposal to your publisher for a new trilogy. Is it in the same world as the Gadda? Tell us a little about it.

It is in the same world as the Gadda. In fact, it’s the sequel to Dream of Asarlai. The new trilogy is called People of the Star and is set two years after Rogue Gadda. I’m taking the new world that’s resulted from the events of Rogue Gadda and really putting the guardians, their friends and family through the wringer.

It’s got the same structure as Dream of Asarlai, so there’s an overarching storyline but each book is a stand-along romance. You’ll be able to read People of the Star without having read Dream of Asarlai, although of course I’d prefer you to do both J

Cross fingers and toes for me that the publisher loves it and wants it too.

Q: I see you also have a story in Scary Kisses and More Scary Kisses. Did you start out writing short stories?

I was writing short stories and novels at the same time. I had more instant success with short stories – the first half a dozen stories I wrote I sold. This however twisted me a bit and while I recognised what I needed to learn with novels and worked hard on it, I kinda coasted with the shorts but as I aimed for better publications, the sales dried up.

Over the past twelve months, I’ve changed things around and started to work as hard on my short stories as I have on the novels and it’s starting to work. Apart from the two you mentioned, I’ve got a story in Issue 50 of Andromeda Spaceways, a flash piece in the upcoming Conflux Cookbook and hopefully there will be more sales this year.

I see shorts as a great way to challenge myself and experiment without having to sacrifice weeks or months to it. Learn in the shorts, apply to the novels .

Q: You went to the Romantic Times Convention in Los Angeles. What was it like? If someone was going to go, what advice would you give?

RT was fantastic! I had such a blast, I’m going to try to go again next year. RT is a convention much like our science fiction ones – panels during the day, social events at night. Except the romance community does things with a flair and bravado that would make a lot of SF people blush – and that’s not just the erotica writers J As RT isn’t just about romance nowadays but also covers fantasy, science fiction and mystery, it’s a great place to go to network with a large number of publishers, agents, writers and most importantly readers! And perhaps best of all – man will you score free books. I came home with twenty, and I stopped grabbing books cause I was worried about weight!

Q: It says in your bio that you were a teacher. Which subjects/ages did you teach and what are your best memories about being a teacher?

I taught primary school and over the nine years managed to cover everything from Kindergarten to Year Six. My favourite time was the three years I spent in Djarindjin/Lombadina, an Aboriginal community on the Dampier Peninsula in WA (north of Broome). It was fun, inspiring, awesome and a time I will never forget.

Q: You won an award for your series of article on mental illness. What prompted you to investigate this subject and what did you as a person take away from writing these articles?

I started to work on it because mental illness is something that’s always interested me. A number of members of my family have had difficulties with their mental health and in fact, I’m currently dealing with depression myself.

The thing I took away is that these are just people. It can be easy to be scared, particularly of some of the more severe conditions like bipolar or schizophrenia because some of the behaviour can be disturbing. But at the end of the day, they’re folks like you and me. They laugh. They cry. They struggle every single day with the impact of their illness and the smallest thing – a smile, a g’day, a nod – can make the world of difference.

Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?

I do. Not that I think that one is better than the other and of course there are exceptions, but my experience is that women’s books are different to men’s. I think we’re still in an age where socialisation does impact on the life experiences of men versus women, and that inevitably has an impact on the writing. Maybe not necessarily on the content, but on the tone and the understanding of societal privilege and what perspectives of the content are shown.

I’d love to see an experiment where a range of men and women were told to write the same scene, with the same character outlines and restrictions, and see what happens. Each one would be different, because people are different, but I think you’d find that the women’s writing would reflect a group opinion different to that of the men.

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

Absolutely. Does that mean I read one more than the other? Well, at the moment I’m tending to read most within the genre of romance, and particularly paranormals. So I am reading more women than men, because more women write in that genre. Does that mean men can’t? Of course not – Trent Jamieson is writing a fabulous urban fantasy series at the moment.

Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?

That’s such a hard question. There’s so many time periods that I love. But I’ve decided on a really personal one – I’d go back to after Worldcon last year and make some changes to my life that I’m sure would ward off the depression.

Nicole has kindly offered a copy of one of her books (you decide). Give-away Question:

Would you want to have magical powers? What would you do with them.

Follow Nicole on Twitter:  @nicole_r_murphy

See Nicole’s Blog.

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Filed under Australian Writers, Book Giveaway, creativity, Dark Urban Fantasy, Fantasy books, Female Fantasy Authors, Genre, Nourish the Writer, Promoting Friend's Books, Publishing Industry, The Writing Fraternity, Writing craft

Meet Kate Forsyth …

As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the talented and always engaging Kate Forsyth to drop by.

Watch out for the give-away at the end of the interview.

Q: Kate, tell us a little about your new book?

The Starkin Crown is a fantasy adventure for readers aged 12 and above, which tells the story of Prince Peregrine, a boy who must overcome treachery, heartache and his own secret weakness in order to find the lost spear of the Storm King.

With the blood of wildkin, hearthkin and starkin in his veins, Peregrine is heir to both the Erlqueen of Stormlinn and the starkin throne – except that the starkin crown was seized before his birth by his grandfather’s cruel cousin Vernisha. An ancient prophecy says that Peregrine will be the one who will at last break the starkin’s ruthless reign and bring peace to the land, but his parents fear the prophecies and try to keep him safe.

The arrival of a starkin girl with an urgent warning of an impending attack sees Peregrine and his faithful squire Jack flee Stormlinn Castle. Guided by a mysterious white owl, and with enemies on all sides, Peregrine soon realises that there is a traitor in their party … and that he must learn to trust his own heart.

Q: Your first series was The Witches of Eileanan, which took its inspiration from the Scottish witch trials of the 16th century. There are six books in the series. You must feel like the world and characters are old friends. Are you tempted to revisit it with a new series?

I get emails every week begging me to write more books set in Eileanan, and I always reply, “Maybe one day”. With the six books of ‘The Witches of Eileanan’ and the three books in the ‘Rhiannon’s Ride’ series, the books set in Eileanan took me ten years to write and constitute more than a million words. I loved writing them and I’m glad so many people have enjoyed them, but I had so many other ideas I wanted to bring to life!

Q: There is also Rhiannon’s Ride Series, with a ‘fierce satyricorn’ heroine. It looks like it could be YA cross-over. What age group was this written for?

‘Rhiannon’s Ride’ is a series of three books set in the world of Eileanan sixteen years after the end of the last book in ‘The Witches of Eileanan’. I always say the Eileanan books can be read by anyone sixteen years and older – there’s lots of battle scenes, cruel betrayals, traitors, necromancy, torture, love, despair, and ultimate triumph – not reading for the faint of heart!

[youtube=http://www.youtube.com/watch?v=1DfrYkFMl7g&feature=player_embedded]

Q: The Chronicles of Estelliana (The Starthorn tree, The Wildkin Curse and The Starkin Crown is for ages 12 and up). I see there is a girl heroine again. Is this a theme you like to explore?

Actually, in the three books set in Estelliana I always have two boys and two girls around 15 years of age, and the primary protagonist is always a boy. This is because I wrote these books for my eldest son, Ben, who loves fantasy fiction. The books are read by both boys and girls – I try and have all four of my heroes being vivid, interesting, and fully realised characters with their own strengths and weakness, and their own lessons to be learnt.

Q: I remember you were so excited when your children’s series The Chain of Charms won the Aurealis Award for its section in 2007. That must have been a real buzz. This series is set in the time of Oliver Cromwell. Did you have to do a lot of research?

It was wonderful! There are six books in ‘The Chain of Charms’ series, and five of them came out in 2007 so I was thrilled to have all five of them short-listed that year. You can imagine my excitement when all five of them ended up winning! It’s the first time that’s ever happened. And, yes, I had to do a great deal of research but then I do with every book I write. With the ‘Chain of Charms’ series, I read every book I could find on Oliver Cromwell and King Charles II, the English Civil War, life in the 17th century, and the language and culture of the Romanichal, or the English Gypsies. I also took my three children to England for a month, travelling in the footsteps of my two Gypsy children in their wild adventures in Kent, Surrey and Sussex. I even began to dress like a Gypsy, and Gypsy Stew became a favourite meal of our family.

Q: The Puzzle Ring was written for ages 10 and up. In this one you have a time travelling heroine who goes back to 16 century Scotland. Are you a big fan of Scottish history?

I was brought up on family stories about Scotland – my grandmother’s grandmother was Scottish on both my mother and my father’s side which meant as a child I heard many an old tale of bloody battles, murdered queens, fugitive princes, ancient curses, loch monsters, and one-eyed giants. I’ve always been interested in Scottish history and mythology as a result, and read a lot of books set in Scotland growing up. So when I was thinking about where to set ‘The Puzzle Ring’ –it seemed very right and natural that it should be set in Scotland and that I should draw upon some of the stories my grandmother and great-aunts told me.

Q: Ben and Tim’s Magical Misadventures series looks like it is meant for a younger reader again. And then there is a picture book titled I Am. Your books range from picture books, through the different primary age groups, through Young Adult to the grown up books?

Do you have to get into a certain mindset to write for a certain age group?

I always say that you can read my books from birth to death! Basically, ‘I Am’ and the three Magical Misadventures were written for my own children’s reading pleasure and I was thrilled when they were published and other children loved them too. I never have any problem writing for different age groups – I always know exactly who my audience is before I even write a word. I ‘see’ the whole narrative shape in my mind’s eye, and know who I want to read it.

Q: You originally worked as a journalist. (See here for a series of articles on Kate’s web site).Did you enjoy this and was it a big leap to writing fantasy?

I always wanted to be a novelist – working as a journalist was a way to pay the bills until I was ‘discovered’. I still write half a dozen articles a year for various publications, for no other reason than my own pleasure. I love to write in many different shapes and forms –it’s challenging to conquer the different styles, and I feel small projects like poetry, articles, picture books, and early readers are a way of refreshing my mind in between the big, long, complex novels I usually write.

 Q: My youngest son had a severe speech impediment. He didn’t have a recognisable (to others) word when he started school. I worked long and hard with him to help him overcome it. I believe you had a speech impediment as a child. Did you find the frustration of not being able to communicate your ideas shaped the person you are?

I had a severe stutter as a child, which meant many hours of speech therapy. My mother worked incredibly hard with me, just like you did with your son, to help me conquer my stutter. One of the things I was encouraged to do was read poetry and Shakespeare aloud, and I truly believe this had a profound effect on me, giving me a deep love of language and rhythm and rhyme. It also meant that I retreated into books, and read voraciously as a child, because I struggled to express myself at school and in unfamiliar situations. I still stutter when I’m tired or nervous or excited, but in general I think I’m quite fiercely articulate now and proud that I was able to overcome the great obstacle that was my stutter. (Read Kate’s article on stuttering).

Q: Tell us a little about the book you are working one now. Set in the time of Louis the 14th, involving a French noble woman, a young girl shut up in a tower, and a Venetian Courtesan, it sounds wonderful.

Thank you! I must admit it has been wonderful to write. Called ‘Bitter Greens’, it is a historical novel for adults which interweaves a retelling of the Rapunzel fairytale with the life of one of its first tellers, the scandalous 17th century French writer, Charlotte-Rose de Caumont de la Force. Charlotte-Rose shocked the court of the Sun King with her love affairs and her dabbling in witchcraft, and so was banished to a convent in the country. In those days, enclosure was very strict and so Charlotte-Rose would not have stepped outside the high, stone wall of the convent or seen anyone apart from the nuns and their lay-sisters. She wrote the fairy tale ‘Persinette’ while imprisoned, which was later renamed ‘Rapunzel’ and bowdlerised by the Grimm brothers. Her life story was a gift for a novelist – I could not have made up a better story! The novel is told in three strands – Charlotte-Rose’s life in Paris and Versailles during the 17th century, the tale of the maiden in the tower, and then the story of the witch, who I have imagined as a 16th century Venetian courtesan who was Titian’s muse. I’m just back from a month in Europe, going to all the places described in my book – Paris, Versailles, Bordeaux, Venice and the Italian lakes!

Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?

Certainly there’s a widely expressed view that men write fantasy full of battles, assassinations, murder and torture, while women write fantasy full of flowers and frocks. Although there is some truth that women’s fantasy fiction is sometimes softer and more romantic, some of the toughest, bloodiest fantasy is written by women such as Fiona McIntosh and Robin Hobb. I certainly love a good love scene, but then I also think battle scenes have their place. I have both in my books!

Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?

No, not at all. I love fantasy fiction by both men and women. What I care about are the characters and the story and the quality of the writing, not the gender of the writer.

Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why? (16th Century Scotland? LOL)

16th century Scotland was a wild, dangerous place without hot running water! I think I’d be scared to go there. I’d need a big, strong Highlander with a big, sharp claymore to protect me! I would like to meet Mary, Queen of Scots, though, and I’d be very interested to know who really murdered her second husband! I have theories of my own, I’d like to know if I was right. I’d also really like to go to 16th century Venice at Carnivale time ….

Kate very kindly has offered a copy of The Starkin Crown as a give-away. Here’s the Give-away question:

What was your favourite fantasy book as a child?

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Filed under Australian Writers, Book trailers, Characterisation, Children's Books, Covers, creativity, Fantasy books, Female Fantasy Authors, Genre, Nourish the Writer, Promoting Friend's Books, The Writing Fraternity, Young Adult Books

More cover pretties!

After last week, when I posted the cover of book one of The Outcast Chronicles with a typo in the title, I thought I’d better check the lettering on book two. Here it is.

Can’t spot any typos myself, but then I have a background in graphic art so I tend to see design, not words. I think the cover fairies have been kind to me again. What do you think?

Thanks to Clint Langley for his great work and thanks to Solaris for using him to do the covers!

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Filed under Covers, creativity, Fantasy books, Fun Stuff, Genre, Inspiring Art, Nourish the Writer

Joanna Russ leaves us …

Back in June last year I wrote a ‘Salute to Female Writers of the Seventies’ and the first one I mentioned was Joanna Russ. She inspired me. I loved her strong female characters. They were so refreshing.

I wish …

I wish I’d had a chance to meet her and tell her what a relief it was to find female characters who I could relate to.

See here for Science Fiction Writers of America’s tribute to Joanna Russ. (1937 -2011).

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Filed under Female Fantasy Authors, Nourish the Writer, The Writing Fraternity