Category Archives: Fantasy books

The Power of Fantasy

I spent way too long today writing an article on fantasy, why it is popular with both the writers who choose to write in this genre, and with the readers, who keep buying those trilogies.

I should have been working on the the first draft of the book I have to put into ROR for critiquing. We plan to have a ROR the week before World Con and I’m really looking forward to the feedback.  But first I have to get my book finished (at least the story arc completed, if not polished) and then I have to read everyone else’s books and write reports on them. I’m 360 pages into the new book, but I need to go right through it from the beginning to tie all the loose ends together, then sail past page 360 and give resolution to the story.

So I should not have spent my only day off work writing an article on the fantasy genre. I agonised over what to cover and what to leave out. I had to make it accessible for those who did not read fantasy, while giving it an Australian slant. I emailed writer friends for quotes on why they wrote fantasy and what they thought readers got from fantasy books. And I sourced lots of links for readers to click through. I could not find a definitive list of Australian fantasy writers, categorised by fiction length and sub genre.

I’d like to thank everyone who indulged me and answered my emails. And I’d like to say, if I haven’t mentioned your favourite author it was not because I don’t appreciate them, rather it was due to lack of space. The genre is far too big to cover in one article. The article is here at the Australian Literature Review.

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Filed under Australian Writers, Fantasy books, Genre, The Writing Fraternity

A Salute to Female Writers of the 70s

Recently I came across an interesting phenomenon. Young women of today (educated, professional young women) find feminism a bit passe. ‘What’s all the fuss about?’.

I was there in the 70s  when the books written by female SF writers were being published.

In the 70s I had a bookshop where I sat and read all day. I’d read a book before lunch, a book after lunch and a book after dinner. It was heaven. Amongst the authors I discovered were  Joanna Russ, Vonda McIntyre, Ursula K Le Guin and Doris Lessing.

This was back in the days before the web and you could hardly discover anything about writers. I never knew that Russ had won both the Hugo and the Nebula, I just liked her books. When I discovered Joanna Russ, I read everything of hers that I could find. I can still remember scenes from her books 30 years later. Her characters were so different, they resonated with me. Now I can google her bio to learn about her. Her wry sens of humour came through her writing. Here’s a great quote from her on ‘How to Suppress Women’s Writing.

“She didn’t write it. She wrote it but she shouldn’t have. She wrote it but look what she wrote about. She wrote it but she isn’t really an artist, and it isn’t really art. She wrote it but she had help. She wrote it but she’s an anomaly. She wrote it BUT…”

And here’s a review of ‘How to Suppress Women’s Writing’.

Then there’s Ursula K Le Guin, much has been written about her work.  In 1969 when Le Guin wrote Left Hand of Darkness it won the Hugo and the Nebula. See here for some background info. (And here is a study guide for the book. Don’t you love the web?). When I read ‘Left Hand of Darkness’ I had no trouble identifying with the  non-gendered aliens. But the first time I read it I didn’t notice  that Le Guin had used  the male pronoun for these aliens. This book is all about gender and perception, yet  she used ‘he’ as the generic pronoun. When asked years later, Le Guin said she had used ‘he’ as a default. (I came across this quote while researching for my MA, and don’t know where the reference is now). But since then …

‘Le Guin has written essays since about the assumptions she made in writing the book. She’s also written the story “The Winter King” where she uses “she” as the pronoun for all Gethenians, rather than “he” as she does in the book (The Left Hand of Darkness), and the story “Coming of Age in Karhide.” Both of these explicitly feminise the Gethenians. They’re interesting, as are her writings about the book, but they’re afterthoughts from a different world.’

It is amazing how the perception of the character changes if you believe the narrator to be male or female. I once read a whole short story where no gender specific pronouns were used. (No ‘he’ or ‘she’). It made for some challenging grammar.The author used non-gender specific names and I found my perception of whether the character was male or female changed depending on whether they were being active or passive. The author was making a point about our perceptions as readers. (This story was also published in the 70s, when feminism was pushing boundaries).

Vonda McIntyre came out to Australia for a convention in the late 70s. (Can’t remember which one). I read her book ‘Dreamsnake’ . It won both a Hugo and Nebula. One line made me realise how gender blinkered I was by my upbringing. We are all products of our time. We don’t see it how blinkered we are unless writers and artists hold a mirror to us. SF and Fantasy create their own worlds, so they can hold a slightly distorted mirror that can surprise us with its insights.

In 2007 Lessing was awarded the Noble Prize for Literature. With Doris Lessing I must have discovered her in the brief period that she was writing Fantasy and SF. It is all a bit fuzzy now, but what stands out in my mind is the humanity of her writing.

All these years later, I’m taking my hat off to those writers. Thank you, Ladies.

It is because of people like you that feminism can seem passe.

What writers have impressed you with their insights?

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Filed under Fantasy books, Nourish the Writer, SF Books, The Writing Fraternity, Writing craft

Extreme Nerd Alert

I have already confessed to using Lord of the Rings as my comfort movie, when I’m too sick to think straight or I just want to ‘vege’ out on the couch.

The other day at work, Brendan put me onto DM of the Rings. Now if you have ever read LOTR, or seen the movie and you’ve played D&D, then you will love this comic.

Created by Shamus Young, a software engineer and D&D player, the premise of the comic is — What would really happen if Tolkien had been a Dungeon Master, trying to get his friends to play his story as a D&D game?

The characters spend their time looking for loot and fights, or trying to seduce attactive passing females. Having had the experience of working with a lot of young males on their stories, this strikes me as pretty accurate.

Which raises the question, are our fantasy novel about honourable heroes way off the mark? Has Joe Abercrombie got it right with his disreptuable characters, who are all out to get what they can? Do we want more realistic fantasy books?

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Filed under Characterisation, creativity, Fantasy books, Fun Stuff, Nourish the Writer, The Writing Fraternity

Steampunk

My friend Richard Harland is riding a wave of success with his YA steampunk, Worldshaker.

There is something very alluring about steampunk.

Long before I’d ever heard of the term, I was a fan of books from this era. I read Mark Twain’s Tom Sawyer to my children. Dickens was a staple of my own childhood and Sir Author Connan Doyle’s Sherlock Holmes was one of my comfort reads. Another of my favourites is the satirist, Saki. I read his Sredni Vashtar in my early twenties and never forgot it.

Jules Verne, HG Wells, Mary Shelley and Bram Stoker were all writing steampunk back before the term was coined. For movies which set out deliberately to mine this genre, think Wild Wild West, The League of Extraordinary gentlemen, the Prestige and Sherlock Holmes.

For a list of contemporary writers who have dabbled in this genre look here. I think Mervyn Peake’s Gormenghast could be added to this list. His setting and characters were very steampunk.

Here’s an article on ‘The Victoria Steam Exposition … a celebration of a growing subculture called steampunk — which unites Victorian era esthetics and futuristic inventions with modern literature and fashion.’

There is even a steampunk magazine, for those of us who can’t get enough of the genre.

So what is the allure of steampunk?

For those of you interested in writing steampunk, Richard has done a post about it here.

I could not resist this steampunk dalek!

Has steampunk caught you unawares? Have you been reading it, without realising that it was a subgenre, like me?

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Filed under creativity, Fantasy books, Fun Stuff, Genre, The Writing Fraternity

Anyone considering writing for Children?

While I think of it … the lovely (award winning) Kate Forsyth has done a post about writing for children over at the ROR blog.  She talks about getting your story age appropriate and length, etc. Plus they’re giving away two copies of her book.

I’ve known Kate since she had her first book published around the same time as my first trilogy.  She turned up for a panel only a couple of days after giving birth to her first child. You had to admire her dedication. I believe in supporting fellow Australian authors, so drop by the blog, if you can.

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Filed under Children's Books, Fantasy books, The Writing Fraternity, Writing craft