Kate says:
Oh so hard to choose a winner! You all love the same books as me. I think I might have to with Brendan, because Susan Cooper and The is Rising means to much to me, too.
Brendan, email Kate to organise your prize.
kate (at)kateforsyth(dot)com(dot)au
As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the talented Nicole Murphy to drop by.
Watch out for the give-away question at the end of the interview.
Q: With your Asarlai trilogy there is a strong love story running through each of your books. Is this because you are a romantic at heart?
Oh, absolutely. Big, soppy, kissy-kissy romantic. I’ll cry at romantic movies. I’ll sigh when the big proclamation of love scene comes. I think about Chandler proposing to Monica, or Lizzie finally accepting Darcy, and I just swoon.
When I started writing, I was trying my hand at epic fantasy and space opera. Then I realised that no matter what I attacked, it came with a strong romance subplot. So I decided to drop the rest of it and have a go at writing a fantasy romance. That was the original draft of Secret Ones.
Q: This trilogy strikes me as a modern take on Irish mythology. What attracted you to use this as a background for your world building.
Ireland came about because I couldn’t figure out how to use Australia. I’d decided the gadda were going to be a race that developed alongside humans but from different ancestors. I tried to make that ancestry Australian, but I couldn’t get my head around how to do that and not do something wrong to Indigenous mythology. So I tried another direction – humans originated in Africa. What’s the opposite of Africa? Answer – Ireland.
The great thing about this is because I’m not dealing with humans, I don’t necessarily have to be true to Irish mythology. The way I see it, the gadda are on the other side of the stories. They’d agree with some of the elements, but others from their point of view would be just plain wrong. So I’ve got the freedom to play within the mythology without having to be accurate.
Q: I hear you’ve put a proposal to your publisher for a new trilogy. Is it in the same world as the Gadda? Tell us a little about it.
It is in the same world as the Gadda. In fact, it’s the sequel to Dream of Asarlai. The new trilogy is called People of the Star and is set two years after Rogue Gadda. I’m taking the new world that’s resulted from the events of Rogue Gadda and really putting the guardians, their friends and family through the wringer.
It’s got the same structure as Dream of Asarlai, so there’s an overarching storyline but each book is a stand-along romance. You’ll be able to read People of the Star without having read Dream of Asarlai, although of course I’d prefer you to do both J
Cross fingers and toes for me that the publisher loves it and wants it too.
Q: I see you also have a story in Scary Kisses and More Scary Kisses. Did you start out writing short stories?
I was writing short stories and novels at the same time. I had more instant success with short stories – the first half a dozen stories I wrote I sold. This however twisted me a bit and while I recognised what I needed to learn with novels and worked hard on it, I kinda coasted with the shorts but as I aimed for better publications, the sales dried up.
Over the past twelve months, I’ve changed things around and started to work as hard on my short stories as I have on the novels and it’s starting to work. Apart from the two you mentioned, I’ve got a story in Issue 50 of Andromeda Spaceways, a flash piece in the upcoming Conflux Cookbook and hopefully there will be more sales this year.
I see shorts as a great way to challenge myself and experiment without having to sacrifice weeks or months to it. Learn in the shorts, apply to the novels .
Q: You went to the Romantic Times Convention in Los Angeles. What was it like? If someone was going to go, what advice would you give?
RT was fantastic! I had such a blast, I’m going to try to go again next year. RT is a convention much like our science fiction ones – panels during the day, social events at night. Except the romance community does things with a flair and bravado that would make a lot of SF people blush – and that’s not just the erotica writers J As RT isn’t just about romance nowadays but also covers fantasy, science fiction and mystery, it’s a great place to go to network with a large number of publishers, agents, writers and most importantly readers! And perhaps best of all – man will you score free books. I came home with twenty, and I stopped grabbing books cause I was worried about weight!
Q: It says in your bio that you were a teacher. Which subjects/ages did you teach and what are your best memories about being a teacher?
I taught primary school and over the nine years managed to cover everything from Kindergarten to Year Six. My favourite time was the three years I spent in Djarindjin/Lombadina, an Aboriginal community on the Dampier Peninsula in WA (north of Broome). It was fun, inspiring, awesome and a time I will never forget.
Q: You won an award for your series of article on mental illness. What prompted you to investigate this subject and what did you as a person take away from writing these articles?
I started to work on it because mental illness is something that’s always interested me. A number of members of my family have had difficulties with their mental health and in fact, I’m currently dealing with depression myself.
The thing I took away is that these are just people. It can be easy to be scared, particularly of some of the more severe conditions like bipolar or schizophrenia because some of the behaviour can be disturbing. But at the end of the day, they’re folks like you and me. They laugh. They cry. They struggle every single day with the impact of their illness and the smallest thing – a smile, a g’day, a nod – can make the world of difference.
Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?
I do. Not that I think that one is better than the other and of course there are exceptions, but my experience is that women’s books are different to men’s. I think we’re still in an age where socialisation does impact on the life experiences of men versus women, and that inevitably has an impact on the writing. Maybe not necessarily on the content, but on the tone and the understanding of societal privilege and what perspectives of the content are shown.
I’d love to see an experiment where a range of men and women were told to write the same scene, with the same character outlines and restrictions, and see what happens. Each one would be different, because people are different, but I think you’d find that the women’s writing would reflect a group opinion different to that of the men.
Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?
Absolutely. Does that mean I read one more than the other? Well, at the moment I’m tending to read most within the genre of romance, and particularly paranormals. So I am reading more women than men, because more women write in that genre. Does that mean men can’t? Of course not – Trent Jamieson is writing a fabulous urban fantasy series at the moment.
Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?
That’s such a hard question. There’s so many time periods that I love. But I’ve decided on a really personal one – I’d go back to after Worldcon last year and make some changes to my life that I’m sure would ward off the depression.
Nicole has kindly offered a copy of one of her books (you decide). Give-away Question:
Would you want to have magical powers? What would you do with them.
Follow Nicole on Twitter: @nicole_r_murphy
Karen says:
I choose my winner as Nicky, who wanted the SW universe due to wanting to see how the society coped post collapse.
Nicky, you’ve won a copy of Blight of Mages. Email Karen on: bosskaren(at)yahoo(dot)com
Filed under Book Giveaway, Fantasy books, Female Fantasy Authors
As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the best selling, multi-talented and amazingly prolific Jennifer Fallon to drop by.
Watch out for the give-away question at the end of the interview.
Q: The Undivided is the first book of your new series, Rift Runners. Can you tell us a little about this series?
It’s set across alternate realities and involves psychically linked twins separated went there were toddlers. One world is similar to ours, the other is a world where magic permeates everything and the druids rule the world.
I am having an illegal amount of fun writing it.
Q: I see Voyager, Harper Collins are releasing your Second Sons series with new covers. This must be exciting. Did you have any say in the covers?
I had quite a bit of say, actually. I’m very pleased with the result.
Q: When I look at the volume of work you’ve produced in the fantasy genre, (as well as the Rift Runners and the Second Sons series, there is the Demon Child, the Tide Lords and the Hythrun Chronicles), I’m impressed by your productivity. Do you find yourself exploring similar themes in the different series, or do you explore completely new concepts?
I like to explore new themes with every series. Some lend themselves better than others to particular themes, so that sometimes influences the type of world I build.
Q: I remember when we were doing our Masters together you were saying that if someone is immortal, then they are immortal and they can’t die, otherwise they aren’t immortal. You had one character who was an Immortal Virgin, (her hymen kept growing back). LOL. Are you ever tempted to write satire?
To be fair, it was Valerie Parv who suggested that, and I thought it was an awesome complication so I ran with it. I’d love to write satire, but I fear I wouldn’t do it well enough to warrant it. There are much better satirists out there than me. I believe I am descended from an Irish satirist, however, who was executed in the 18th century for saying rude things about the English.
Q: I see your best selling fantasy books have been shortlisted for the Aurealis Awards, the David Gemmell Legends of Fantasy Award and the Romantic Times Best Fantasy award. That must have been a real buzz. Do you think these awards help bring your books to the attention of new readers?
Here’s my thing about awards – who won the World Fantasy Award last year? The Aurealis in 2005? I bet you can’t say.
Do I think they’re useful? Maybe. They are certainly a boost to the ego, but in my experience, getting your books in the shops in large displays by the door is more useful than an award, when it comes to expanding your reading base, unless winning the award makes the booksellers buy more of them, and put the large display bin out the front.
Q: You also write for Stargate. Does this mean you are a dedicated Stargate Fan? I’m sure people would be interested to hear how you started writing for Stargate and a little about the process.
To be fair, I co-wrote one tie-in novel. I’m not sure if I can claim the moniker “writes for Stargate”. I am a fan, which was why I was asked, and the process involved my co-author sending me the manuscript, me changing all the things I didn’t like, adding the snappy dialogue, and it going back and her changing the changes I made. I believe most of the snappy dialogue survived.
I was an interesting project, though and I have now written a Zorro story for Moonstone, too, which was fun. I do find tie-ins to be quite limiting, because you are playing in someone else’s sand pit and you can’t always build the sandcastles you’d like.
Q: In the last couple of years you’ve moved to New Zealand’s South Island and renovated the historic Reynox House, which you’ve established as a residential writers’ retreat. (Honestly, running away to write sounds heavenly to me). Is this a dream you’ve always had, to run a writers’ retreat?
I’m not sure I’ve always had it, but certainly for the past few years I’ve wanted to do it. It has all come to a grinding halt at present because of the Christchurch earthquakes. The house sustained some damage in the first quake and the repair bills have been quoted as ranging from $375K to $3m. We are currently at the mercy of insurance assessors and quantity surveyors. Last I heard we were 65th on the insurance company’s priority list and it’s taking them months to settle each claim. Do the math…
Q: I see you have also started a mentorship program. How do you get the time to do all this?
I limit the number of mentorees so that I don’t have more than I can handle at any one time. Right now, because I am working to a very tight deadline, I don’t have any. I should be picking up the program again in a couple of months.
Q: I was prompted to start this series of interviews because there is a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?
More swear words?
To be honest, I’m not sure. I think female writers tend to be a little more character driven, but there are great male character-driven fantasies out there too. I think it’s up to the individual writers. Remember, there’s a large number of people out there who don’t realise Robin Hobb is a woman, so I guess, in many cases, if the reader doesn’t know the gender of the writer, they can’t necessarily pick it, so I’d have to so no.
Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?
Not at all.
Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?
I’d go to the past, just before I was first published and change my name from Jennifer Fallon to John Fallon. Then all the boys out there who assume that all female fantasy writers write soppy romance fantasies would pick up my books and read them and I’d be much, much richer.
Jennifer will give-away a copy of her new book Undivided. Here’s the question: One of Jen’s series revovles around a number of immortals. How would you kill an immortal?
Juliet has promised a copy of ‘Irons in the Fire’ or ‘Dangerous Waters’. She says:
“There are some great ideas here and best of all, there are books new to me being suggested. So I’ve been off to do some googling and thinking and yes, to go round and round in circles because these are all excellent suggestions. But I have to make a decision and I’ve finally come down in favour of The Sterkarm Handshake. I would dearly love to see that on the telly and it would appeal to those people who don’t normally think of reading epic fantasy – showing them just what they’re missing! !
So if Karla Vollkopf would like to email me at Juliet(dot)mckenna(at)gmail(dot)com, we can sort out which book she’d like. “
Filed under Book Giveaway, Fantasy books, Female Fantasy Authors, Fun Stuff
Tracey said the winner is Belinda’s Baubles, because …
‘… she what she wrote is exactlye the way I feel when I read my favourite comfort reads.’
To collect your book, Belinda, email Tracey on:
tracey(at)traceyohara(dot)com
As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the prolific and talented Karen Miller to drop by.
Watch out for the give-away question at the end of the interview.
Q: I see you also write as KE Mills and are writing the Rogue Agent series under this name. Why would you write fantasy under two different names?
As Karen Miller, I write epic/historical fantasy, in self-contained story arcs covering a finite number of ‘acts’ – so I’m telling the story across 2, 3 or soon 5 volumes. The historical influences I draw upon for these books range from ancient Mesopotamia right through to Rennaisance Europe. On the other hand, the Rogue Agent books are part of an open ended series, in which continuing characters have stand alone adventures – even though there are some story elements that carry through more than one book. Also, the historical influence is late Victorian/early Edwardian England. That means there is a distinctly different flavour/atmosphere between the kinds of fantasy I’m writing, so Voyager thought it would be a good idea to differentiate them.
Q: You write for Stargate. Are you a big fan? Was it a real buzz to get the chance to write these books? How did it come about?
I have indeed written media tie in books for the Stargate SG1 universe. I’m a fan of the show, and always will be – especially of the first 6 seasons. I had the best fun writing Alliances and Do No Harm! It’s such a privilege, being given the chance to play in a storytelling sandbox built by someone else, that’s given me enormous pleasure over the years. I got the chance because the people at Fandemonium, who have the Stargate tie in rights, read my Stargate SG1 fanfic (the Medical Considerations series) and thought I’d be a good fit. MGM were fine with it, and so I was paid the enormous compliment of being given the nod to write the books.
Q: Another fan-girl moment. You have also written a Star Wars book, The Clone Wars: Wild Space. How did you get the chance to write for Star Wars?
I’ve actually done 3 Star Wars novels – Wild Space, and then the two-part Clone Wars Gambit story, Stealth and Siege. Again, what an enormous privilege. I fell in love with Star Wars back in 1977, sitting in Hoyts cinema on George Street, watching the star destroyer roar over our heads. It sounds crazy, but the experience really did change my life. So many things have happened to me because of that film, and I will forever be in George Lucas’s debt. Probably I wouldn’t have the writing career I have now without him. Anyhow, I knew there were professionally published Star Wars novels, and I knew you had to be a professional writer to be considered. Once The Innocent Mage was published, I contacted the Star Wars editor at Del Rey and expressed an interest in writing for them, if ever they needed a new author. We had a lovely conversation but nothing came of it, so I just shrugged and got on my with my own original fiction. Then a couple of years later they asked if I’d be interested in tag team writing some novels set in the Clone Wars. I’d been recommended by hugely popular Star Wars writer Karen Traviss, to whom I owe so very much. It took me about 2 seconds to say yes. *g* And that’s how I got one of the best gigs in the world of speculative fiction.
Q: You wrote the Kingmaker, Kingbreaker series, the Godspeaker series, as well as the Stargate books, the Star Wars book and the K E Mills books. When do you sleep? No, seriously, what’s your writing day schedule and how do you finish so many books?
In short, I put the rest of my life on hold to focus on pretty much nothing but the work. Looking back on the past 5 years, I consider that I’ve been serving my apprenticeship. In writing so much, in so many different worlds, I feel like I’ve been taking a crash course in storytelling. As a result, I think I’ve widened my skill set and honed my craft. Now, as I face the biggest challenge so far in my career, a huge 5 books historical/epic fantasy series, I feel slightly better equipped to get stuck in. There’s so much competition in the world of speculative fiction literature, I think it’s easy to get lost in the crowd when you’re starting out. So I made the conscious decision to write as much as I could, as well as I could, and establish myself as a presence on the book shelf. As I say, it meant putting most of the rest of my life on hold but for me, the choice was absolutely worth it. Now I can ease off the pressure a bit, and really focus on telling this new story as well as I possibly can.
Q: Your books have been finalists in the Aurealis Awards fantasy section three times, plus two of your books have been honoured in the James Tiptree Jr Award. That must have been a real buzz. Did attention from the James Tiptree Jr Award come as a surprise, since you write epic fantasy?
The Tiptree honour was a huge shock, because I had no idea the books had been entered! Sneaky Voyager. It was an enormous compliment. All my short listings have been. With the Tiptree, with its focus on female characters in the genre, it was particularly pleasing. I love epic fantasy, but a lot of it is written from the male pov, with a male audience in mind, so it’s been fun to shake that up a bit and show that there can be epic fantasy showcasing the strengths of great women, too.
Q: I see you’ve signed a new deal with Orbit for a 5 book deal to write an epic fantasy saga called The Tarnished Crown Quintet. (Congratulations!)Will this be under Karen Miller of KE Mills?
Thanks! This is a Miller adventure. Hugely exciting, and even more terrifying. Biggest challenge of my life so far. Fingers crossed I’m up for it!
Q: I see you like to listen to music while you write. Do you make up a play-list for each series to get you in the right mood? If so, what’s you current play-list?
I don’t do play lists, as such, I just whack the cds into the player. I go by composers … Bear McCreary, Hans Zimmer, John Williams, James Horner, Alan Silvestri … anyone who writes powerfully emotional music that helps me access my own creative emotionality.
Q: You worked with horses when you lived in England and you used to breed, train and judge horses here in Australia, but have stopped now. Do you find your practical knowledge of horses really useful for writing fantasy?
I think so. Given that epic/historical fantasy is generally set in a time frame where horses are ubiquitous, it helps to have a feel for them, I think, as well as some basic understanding of the facts. Plus you can get some good plot points out of the whole horse business.
Q: You are involved in the Castle Hill Players, a local community theatre group. (I belonged to a children’s theatre group and loved it. I really do know what greasepaint smells like!). Do you find that performing on stage gives you a unique perspective for writing fantasy minstrels?
There’s certainly that aspect. Also, I find that writing is like being an actor in a one-woman show. I have to become all these different people as I’m writing them, so the experience of acting and directing really helps me get into their skins and bring them to life.
Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?
I think there’s a difference between the way men and write, full stop. Men and women experience the same world very differently, for many many reasons, and I think those differences are inevitably reflected in our writing. In terms of the ‘boy’s club’ question, well, I think that’s more a case of the readership and the gatekeepers of the readership. When you’re talking urban fantasy, that’s a sub genre that’s dominated by the female voice. In many ways, UF is women’s answer to noir fiction. To me, at heart it’s about female empowerment – or at least, it seems to me that’s how it’s evolved. And then you’ve got the paranormal romance sub genre, which again is dominated by women’s voices. That has to be inevitable, I think, given that romance is pretty much a female genre, though there are men who read and enjoy romance fiction.
Then you’ve got the question of epic/historical fantasy. Until recently it’s been the default standard for fantasy fiction, and it arises directly out of the Tolkien school of literature, and the Dungeons and Dragons culture – both of which are traditionally male-centric. As a result, this (now sub) genre is traditionally male oriented. The biggest names writing it are male, and the loudest voices discussing it are male, and the writers getting the lion’s share of the spotlight are male. So yes, as a female writer, sometimes it does feel as though women epic fantasy novelists aren’t accorded the same amount of oxygen in the conversation. I look at the achievements of a writer like Kate Elliott, whose Crown of Stars series is easily as complicated and challenging and epic as Martin’s work, and she is not anywhere near as visible. I find that difficult to sit with. However, I’ll note that my publisher, Orbit, is a brilliant champion of women writing epic fantasy. From what I can see, the resistance tends to come from the gatekeepers of the epic fantasy sub genre. They’re predominantly male, and they consistently focus on male writers, and that means the women writing epic/historical fantasy often get short-changed. And when you get male reviewers openly disparaging female writers in high profile genre magazines, well, that doesn’t make the situation any easier.
Having said all that, though, I think it must also be said that many of the traditional elements associated with epic/historical fantasy are elements that don’t traditionally appeal to women, either as writers or readers. But that doesn’t mean that no women are interested in them, or that women aren’t capable of writing them with the same flair and authenticity as men. What’s happening, I think, is that some people are falling victim to gender biases and assumptions, which is unfortunate.
Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?
I wish I could say no, but I think it does, to an extent. Epic fantasy written by men tends – and I say tends, it’s not a universal truth – to be heavier on action than emotion. Often there’s no romantic element to the storytelling and certainly a de-emphasis on female characters. For whatever reasons, those are elements that I really want to see in the books I read. Patrick Rothfuss said on a panel recently that he’s encountered a lot of resistance to the notion of romance in fantasy. I think that’s sad, because I don’t believe for a moment that men don’t want and need love in their lives as much as any woman. And if there is a percentage of men who find romance in epic fantasy confronting, well, that’s no reason to eliminate it – and by extension, women – from this sub genre of speculative fiction. Absolutely there is an important place for the male-centric story, the male bonding story, all that stuff. It’s as vital as the female empowerment of urban fantasy. But it shouldn’t exist at the expense of epic fantasy that presents are more gender-equal view of the world, where men and women fight the good fight side by side, sometimes falling in love along the way.
By the same token, if I pick up a fantasy novel written by a woman, I generally expect a softer, more emotion/character driven story. Often the focus isn’t on the miltary aspect of epic fantasy. But that doesn’t mean it’s all women can write, and it doesn’t mean that men can’t incorporate these more ‘feminine’ traits into their fiction with huge success. At the end of the day, we are all human beings who live and love and grieve and celebrate – and I think our stories should reflect that.
Ronald D Moore, the showrunner of the rejigged Battlestar Galactica, talks a lot about this on his dvd commentaries. He makes the point over and over that given the choice between losing a scene that’s all SFX and shoot’em up, and a scene that explores/reveals character, with emotion, he’ll lose the action sequence every time. To him, character is at the heart of storytelling. I’m rowing in his boat. That’s what I aim for in my writing, what I look for when enjoying someone else’s story, and what I think makes for the best story experience.
Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?
I’d go back to Elizabethan England, to the court of Elizabeth, so I could see her in person.
Karen has a copy of her latest book A Blight of Mages to give-away. Here’s Give-away Question: Would you rather live in the Stargate Universe or the StarWars Universe?
See Karen’s LJBlog.
As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the talented Tracey O’Hara to drop by.
Watch out for the give-away question at the end of the interview.
Q: Congratulations on your R*BY win, Tracey. (Mainstream book with strong romantic theme, 2010). I see you were also a finalist in the Aurealis Awards (Best Horror 2009). That must have been a buzz. Do you think winning awards improves sales?
It was a very big buzz. It was great having my debut wo well received. The RuBY was just – wow. I never anticipated it would win, so much so I didn’t even prepare a speech. I’m never doing that again. And when I was nominated for the Aurealis – I was so over the moon, and for the horror category as well. One day I would like to write some pure horror.
Q: I see you live in far north Queensland. Were you affected by the category 5 cyclone that swept through there earlier this year?
Actually I live in the ACT, but grew up in Canberra. It was quite an ordeal first worrying about family and close friends in the Queensland floods. Then a few weeks later worrying about extended family up in the north of the state. Followed closely by the Christchurch earthquake. It has been a really horrible time for all the people that live in those areas and my heart goes out to the ones who lost homes, or worse, loved ones in those terrible disasters.
Q: The covers for your Dark Brethren series Night’s Cold Kiss and Death’s Sweet Embrace are brilliant. Did you have any say in them?
I got asked for my ideas, and give them an impression of what I would like to see. With the first book, when they asked what I thought – and I said the opening scene, where Antoinette (the heroine) is perched on the windowsill with the sword strapped to her back would be really cool. But I could never have anticipated the wonderful cover that eventuated. I actually cried tears of joy when I saw it. The second cover is just as amazing.
Q: I see there is a third book in the Dark Brethren series Sin’s Dark Caress. Can you tell us a little about it?
With the first book, I mainly concentrated on the vampiric Aeternus race, the second was shapeshifting Animalians, and in the third I am going to delve into the world of the magic wielders. I am finding this story is quite a bit darker again from the first two. And that is all I am giving away at the moment.
Q: It sounds like your books have a strong thriller/mystery in them. Are you a fan of thriller/mystery books?
I loved the Arthur Upfield, Napoleon Bonaparte (Boney) books when I was a teenager and I’m a big Agatha Christy fan, however mainly the TV series and movies rather than the books which I sometimes find a bit tedious.
I would say I am more of a fantasy and horror fan than thriller/mysteries. Having said that, I love something that will take me to unexpected places and have twists I don’t see coming.
Q: In the Dark Faerie Tales guest post you say: ‘I like to describe the Dark Brethren books as a series concentrating on a central group of characters similar to what you would see in a TV series. Each book has a self contained story with a different heroine and hero but some of the themes are carried throughout the series.’ This reminds me of Buffy or Angel. Are you a fan of Joss Whedon?
OMG yes – very big Joss fan. My favourite series of his though, is Firefly. I actually didn’t like Buffy or Angel as characters much, but loved the characters that supported them. I think Joss’ characterisation is fantastic. The richness and complexity he gives to each individual is one of the most amazing things about his work.
Q: I see in your bio you say your first book just ‘flowed out of you like molasses on a hot day’ LOL. Do you still write that fast? How does it take you to write a Dark Brethren book?
Unfortunately no. That was back in the days before I knew what I was writing was rubbish. Now I agonise over the words more than I want too and I am so grammatically challenged it’s almost a crime. Now I when I see what I’m writing is rubbish, I have to work it out before I can move on. This is a bad habit that I will have to get out of.
Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?
That is a very interesting question. I can’t say for sure and I definitely don’t want to pigeonhole writers. Of course every writer writes differently, it’s called the author voice. And there is not one better than the other.
But if I think about my some of my favourite writers, George RR Martin and Raymond E Feist, they have great books, and there are relationships, but I tend to think they concentrate on action, the sweeping epicness and the political intrigue of it all. Whereas my two favourite female authors, Jean M Auel and Anne McCaffery, their stories are just as sweeping and filled with almost as much action and intrigue, but I think the relationships (and I am not just talking romantic ones here) tend to have a bit more focus and feel a bit more personal. As I said – I don’t want to generalise. This is just purely my impression of the top of my head.
And sometimes I get the impression that if it’s a woman writer and the story has anything about relationships, some will say it’s romance, which for some reason is seen as lesser and something to be denigrated. Whereas if it’s a male, it can be seen as a well rounded story with depth and emotional pull.
Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?
No. I read stories. I like to find out more about the author, especially if I enjoy their books. But what I’m really looking for is a story to get totally drawn into and lost.
Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?
OMG – that is so hard. The romantic in me would say in the times of the Vikings or Ancient Egypt, but it would depend of who or what I was there. I mean it wouldn’t be much fun going back to Viking days and being murdered in a Viking raid of my village. Nor would it be that much fun ending up as one of the slaves sealed alive in the tomb of a dead pharaoh. I think I am too much of a realist to want to go back in time. And I definitely don’t want to see what’s ahead for similar reasons.
Tracey will give-away a copy of latest book. Here’s the give-away question:
Tracey says – I’ve just started reading Game of Thrones, by George RR Martin, and I love this book because the writing is superb, the characters complex and three dimensional, the setting is vivid and beautifully described. It is what I would like to write when I grow up. What is your favourite book and what about it attracts your attention?
Follow Tracey on Twitter: @traceyohara
Trudi had a terrible time deciding the winner. She said:
‘Ali A made an interesting point about social taboos overseas and later about the way male/female writers write, Denis’s points were good, Sarah and Margaret pointed out that Australia is ahead of the curve with gender roles …’
But in the end she had to go with Martin who said:
‘This is a really big question and I don’t think any one thing can explain it (it could be the basis of a dissertation if not a PhD).
As a UK reader I have noticed that a lot of the female writers on the shop shelves, and my bookshelves (all barr one actually), are
australian. Likewise, most of the male writers are from the US. I think another big question is why are there so few fantasy authors (of either gender) in the UK?
I’d say like some others above me, that the relaxed Aussie lifestyle is good for imagination muscles. As well as the stunning scenery. On a deeper level, while Australia still has an ample history, it is a relatively newborn country compared to many others. I’d hope that this would mean the sexist tendencies embedded in many societies run weaker in the Aussie environment.
Whatever the reasons, I’m very grateful for the many lovely stories coming from Oz and let’s hope there are many more to come (whether from female or male writers).’
Please email me, Martin. rowena(at)corydaniells(dot)com
And thanks to everyone who commented. It was a great discussion!
Filed under Australian Writers, Book Giveaway, Fantasy books, Female Fantasy Authors
As the next of my series featuring fantastic female fantasy authors (see disclaimer) I’ve invited the amazingly prolific and talented Juliet McKenna to drop by.
Watch out for the give-away question at the end of the interview.
Q: Wow, Juliet, looking at your list of published books takes my breath away. Tell me, do you sleep 3 hours a night?
Well, I have been doing this for a while now. My first novel, The Thief’s Gamble came out in January 1999, so I’ve written a book a year since then. I’m also lucky enough to write full time, as far as any wife and mother can do that. So I work from around 8.30 in the morning when my husband and teenage sons have left for work, college and school, until about 5 in the afternoon.
That’s writing the current book in progress along with doing fun things like this, blogging, reviewing, getting involved in conventions and other events and the much less exciting but equally necessary stuff like the accounts and other administrivia.
Q: You have five series out now with a 3 – 5 books in each series. There’s The Tales of Einarinn, The Aldabreshin Compass, The Lescari Revolution, and your news series, The Hadrumal Crisis. You have an invented world and where you have set stories in different places (and at different times?), with some characters crossing over into different series. Tell me, do you have a huge map on the wall with a flow chart of events and timelines for different families and kingdoms? How do you keep it all straight in your head?
I have a lovely big map. One of the smartest moves I ever made, in hindsight, was marrying a design engineer who trained as a draughtsman. He drew that map for me and it’s fantastic. I used to keep a card index with details of every character noted down but that got harder and harder to keep up to date at the same time as computers made searching for individual characters in the text of a book so much easier. So that’s how I keep track of the details now.
That said, preparing for this new series, I did have to go back and re-read my first nine books, making notes as I went, since I’m picking up a lot of threads from those earlier tales. I have always drawn up timelines for each book, with notes on what each character’s doing and where they are. I’m one of those writers who does a lot of planning ahead before I ever type ‘Chapter One’. Every book has its own working note book and so I can also refer back to those when whatever I’m currently writing draws on what’s happened before.
On the other hand, I work very hard to make sure that each series is a fresh start, so that readers don’t have to go all the way through my backlist for the new story to make sense. That does lighten the burden of what’s gone before for me as a writer. I only have to include essential back story, in the same way as any author creating rounded, realistic characters does with any book.
Q: Reading the information on your web site, your books come across as very down to earth stories about real people, set in a world where magic happens to be normal. Where … ‘there are developments in science and technology, philosophy and literature, quite independently of whatever it is that has wizards and princes running round in circles?’ Would describe yourself as a very grounded person, who just happens to have an imagination that won’t let her sleep?
Words that often come up when people are describing me are ‘practical’ and ‘organised’ and yes, I imagine ‘grounded’ is in there too. That said, I think what I’ve always read and enjoyed has more influence on what I write than my personal character. I’ve always loved books that feel ‘real’ and I’ve always read right across the speculative genre and on into folklore and myth and then onwards into history.
They’re all colours in the same spectrum as far as I am concerned, and how can anyone read this wonderful stuff without their own imagination catching light? I’ve made up stories for as long as I can remember. I was one of those kids who could spend a whole afternoon spinning some fantastic yarn with a couple of toy animals, some building bricks and a cardboard box.
As to the depth and breadth of the worlds I create now, knowing so much history, I really cannot be doing with fantasy worlds where nothing changes in a thousand years (unless that’s part of the point the writer is making). I think how much change my grandmother saw in her 95 years!
Q: In an interview on SFFWorld, you mention that you do aikido. (This is one of the martial arts I studied for 5 years. I found it helped me when writing fight scenes). Do you do other martial arts and did you find that they help you give verisimilitude to your fight scenes?
I have nearly thirty years of aikido under my (black) belt now, including sword and staff fighting techniques, and yes, that’s a fantastic help when I’m writing fight scenes. I don’t do any other martial arts but I do swap notes with those studying other disciplines. Shotokan Karate blackbelt and author John Meaney and I did a hands-on panel on fight scenes at a recent convention and that was a fascinating exercise in compare and contrast.
I also did some Live Action Role Playing as a student and that’s also very useful. Table top gaming just isn’t the same. Get out in some woods at night for real and you really won’t have a clue what cunning plan the wizard ten feet behind you is hatching when all you’re looking at is the orc who’s trying to cut your head off!
That said, as an author, I have to be aware of readers’ expectations, particularly the way those have been shaped by what they see on film and TV, where fights are long, drawn-out, full of ups and downs, will our hero win or won’t he? Whereas real fights, when at least one person knows what they’re doing, tend to be very short and to the point. Also, when you’re watching a fight, it’s clear who’s doing what. Describing a fight so the reader can visualize it can be tricky. So, as with any other aspect of writing, crafting a fight scene that’s both realistic and rewarding for the reader is a challenge. But hey, if it was easy, it wouldn’t be nearly so much fun.
Q: You are one of the founding members of The Write Fantastic , (TWF), an organisation established in 2004 to promote the fantasy genre. On your TWF site, you say: ‘Nowadays … Bestsellers thrive, while writers seen as ‘mid-list’, and those in genre fiction, suffer. Browsing used to be the route by which such authors picked up new readers. But now people popping into a bookshop ‘for something to read’ get no further than the 3 for 2 deals. So authors face a choice between grousing into their beer or looking for alternate ways to contact potential readers and bring them in past the discount tables and the bestseller charts.’ Do you think TWF has helped fantasy writers connect with new readers?
Definitely. The feedback we get tells us that time and again. The publishing world, from that first idea in your head to the finished book on the shelf in the shop, has changed enormously in the past ten years. What hasn’t changed, and what never seems to change though, is what really sells books is word of mouth recommendation.
Readers are always eager to hear about new books and these days, there are so many books that it can be a challenge to keep up to date with the new voices, never mind hearing about other people’s established favourites which you might not have tried. Hearing writers talk, about what they’re writing and what they’re reading is always a good way to find out if something’s likely to be on your particular wavelength.
Q: I see that TWF has successfully applied for grants. I’m thinking that is what my ROR group should do. One of the things that holds us back here in Australia is that the literary festivals expect to be contacted by the publishers who want to promote their authors. If an author contacts a literary festival, more often than not, they ignore the author. I’m guessing you haven’t had this problem in the UK?
Well, we have had success in the past… That kind of grant money dried up a few years ago. Then last year, as soon as the current government was elected here in the UK, the library funding for author visits was drastically cut back, so we lost a lot of those events. This year, so far, I’m hearing of literary festivals being cancelled or put on hiatus, so we’re looking at alternatives for TWF gigs, not least running a day event or two ourselves.
Literary festivals vary enormously. The really big ones, sponsored by our national newspapers, certainly aren’t much interested in dealing with anyone outside the best-seller lists, whose publisher will be paying to promote them, and where the author is expected to turn up and do their thing and be grateful for ‘the prestige’. It’s actually the smaller, more local events that are open to approaches from groups like TWF and will often work harder to pay writers for their time.
Q: I was prompted to start this series of interviews because there seems to be a perception in the US and the UK that fantasy is a bit of a boy’s club. Do you think there’s a difference in the way males and females write fantasy?
This idea that fantasy is for men, written by men, does persist and it baffles me for several reasons. I mean, don’t people look at the shelves? There are so many women writing superb fantasy these days, in the UK, the US and elsewhere. Perhaps it’s another knock-on effect of those front-of-store promotions. The mega-sellers of late have been written by men and so they have much greater visibility, certainly for people who don’t know much about our genre. I’m not sure what we women can do beyond write the best books we can and hope they reach that readership tipping point to get us to the front of the bookstore. But of course, we are already writing the best books we can…
Do we write differently to the men? That’s hard to say. I’m sure for any generalisation that I might make, someone will be able to point to a book where that simply doesn’t apply. For instance if I said, women writers focus more on the emotional responses of female characters with a higher profile overall within the story. Or if I said, male writers get far more down and dirty with the vicious and brutal.
I really do think it’s a problem of perception rather than reality and we all need to challenge it if it’s ever going to change.
Q: Following on from that, does the gender of the writer change your expectations when you pick up their book?
No, it really doesn’t. What grabs me is the back cover copy and then the first page. It’s all about the story and the characters for me.
Q: And here’s the fun question. If you could book a trip on a time machine, where and when would you go, and why?
Ancient Rome, in the last days of the Republic. I studied this period at university and actually being there, seeing what really happened would be fantastic. Of course, I would need some kind of access all areas pass or Doctor Who’s psychic paper so I didn’t just end up wandering round the Forum. Though that would be pretty cool as well.
Or… a hundred years into the future, where I would want to spend a week just soaking up the atmosphere, the news media, the day to day life, to see how far we had come as humanity, and what hadn’t really changed, for better or for worse.
Find Juliet’s blog here.
For a video interview of Juliet McKenna see here.
Hear the Ghost in the Machine Podcast with Juliet McKenna.
Juliet on Facebook
Juliet is happy to give away a copy of one of her books, depending on which one you need to fill the gap in your collection. Here’s the give-away question:
Every fantasy fan I know is waiting breathlessly for HBO’s adaptation of George RR Martin’s A Game of Thrones – even those who haven’t read the books. Which fantasy book/world would you like to see turned into a television series and why?
